Young Levels
Young LevelsMore Info
We are young entrepreneurs, willing to deliver high levels of quality. We are creative minds that stand for playful professionalism. We believe that independence drives personal and professional growth.
Our mission is to empower young and ambitious people through means of design. We aim to provide those who are ready to take big steps in life, got the perfect shoes to do so.
It all started with Dieter, who spend his young life working hard to pile up his savings in order to achieve his dream and become an entrepreneur. One of the reasons for becoming an entrepreneur was his desire for independence. As a risktaker and creative mind, he felt that he was never going to be satisfied with his nine-to-five job. Now our first design sneaker has launched and not only is he paving the way of his own independence, he wants to create opportunities for other young and ambitious minds.
By proving design fashion and creating opportunities for young and ambitious minds, we strive towards a world where working independent is the norm. We believe that working for yourself where hard work really pays of is a life worth living and that everyone must be able to have this opportunity.
Fletersdel 52 Genk 3600 Belgium
Nico Uytterhaegen
Nico UytterhaegenMore Info
Les Soeurs, the holy triangle. Or 3 sisters with a full time passion for fashion and jewellery, who collect the latest fashion musthaves for you!
In 2011, Belgian fashion-girls Jules, Kay & Clio baptised their label ‘Les Soeurs’. Die hard fashionista’s they are, their mission for that unique bracelet, ring, necklace or handbag is endless. A girl’s gotta do what a girl’s gotta do: they gathered in a journey to bring together the most beautiful gemstones, natural leathers and precious metals. The outcome is an exclusive jewellery and accessory collection with a very personal touch, like loads of sister love, created on Belgian territory.
Industrieweg 100A Tessenderlo 3980 Belgium
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The workshops are a moment of sharing where time stands still : a unique immersive experience in a cosy atmosphere where participants return home with a personalised leather piece and a strong feeling of pride 🙂
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Experience is not required. Only good eyes, and your good mood!
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You will find below the calendar of workshops. And at the bottom of the page you have more info & pictures about each workshop.
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Note that we also offer customised and team building workshops. Do not hesitate to contact us 🙂
The Brand
Kinamania is an independent Brussels-based atelier with a passion for leather. We make fine iconic footwear inspired by cultural heritage and revisited with elegance and dare. The shoes are made in Spain and Portugal.
“I find my inspiration in basic footwear styles that have stood the test of time to which I add fashion-forward details. This is my way of reinventing heritage.” Kristina
The brand has two main lines – The Essentials which are timeless collections and The Collaborations where Kristina partners with artists, artisans and craft-based NGOs to put their craft in the spotlight.
Collaborations
Kristina has a deep appreciation of makers and cultural heritage combined with a passion for leather as a primary raw material. Driven by her curiosity and her hunger for discovery of creative works, she collaborates with artisans and artists on her shoe collections and takes great pride in partnering, when possible, with craft-based NGOs that drive real changes in people’s lives.
The founder
Former designer and production director to the Johnny Farah House of leather accessories – between Beirut & NY – Kristina Zouein spent countless hours in artisans’ workshops. As a self-taught designer, this was a very formative experience.
In 2015 and with more than 10 years experience, she decides to create Kinamania, a slow fashion brand of accessories with a balanced mix of humility, sobriety and dare.
Of Canadian-Lebanese origins, Kristina lived most of her life in Beirut, until she met her partner and moved to Brussels a few years ago
A committed brand : Kinamania X Cancer
“In November 2019, I was diagnosed with breast cancer which pushed me to redefine the way I am leading my life and my business. Statistics show that 1 in 8 women are diagnosed with breast cancer, and I was chocked when I learnt those numbers, especially to discover that so many women, like myself, below the age of 40 go through this for reasons that are still unclear. Since then, I have committed to support cancer research.”
Leather and sustainability
Kinamania shoes are made from domesticated animal skins that are raised in agricultural settings and treated in European tanneries that are certified for their environmentally friendly working method.
The European leather industry is at the forefront of the conversation and innovation towards lower impact and circular practices :
+ to reduce chemical usage, water, and waste compared to traditional tanning processes.
+ to make sure that animals from which the hide is used are being treated well
+ to ensure that people who produce the leather are treated fairly
Fun facts to know 🙂
+++ It is through a failed romance with a Spaniard that Kristina discovered the abarca sandal style. This traditional Spanish sandal was the trigger to her shoe brand.
+++ KinaMania is a brand name with roots in ‘menorquina’, the alternative name for the abarca sandal which was originally handmade on the island of Menorca in the Baleares. The mania for Kinas is born from menorquina mania!
+++ The shoes have singer name and the subtitles refer to uplifting songs that align to the Craft Your Day tagline.
+++ The tag line says CRAFT YOUR DAY with two dashes. The two dashes symbolise the craftsmanship and hand-stitched design signature of the Kinamania fine footwear atelier.
Atypical leather-craft workshops
Kristina also offers creative leathercraft workshops combining leather and modern technology.
The objective behind those workshops is that participants personalise a beautiful object – in a warm and friendly atmosphere – and proudly return home with a unique souvenir.
WE ARE OPEN !
In the prestigious Royal Gallery of Saint Hubert, center Brussels !
Kinamania will be here until July 25.
Looking forward to welcoming you!
Galerie du Roi 22, 1000, Brussels
Open Tue-Sun from 11H-19H
Galerie du Roi 22 Brussels 1000 Belgium
13 Bollinckx Street Brussels 1070 Belgium
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BABBI was founded in 1992 by Barbara Giaclina. The founder had the desire to see her children wear home shoes that were both elegant and comfortable. She combined her passion with the “savoir-faire” of European craftsmen – working with the finest double face sheepskin wool – and thus created home shoes for the whole family.
Burggraaf Henri de Spoelberghdreef 2 Deurle 9831 Belgium
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Our story
Founder and designer
Hi,
I am Evelyne, founder and designer of KUNOKA shoes.
I want to tell you my story from the start and it will get a little personal. I have been in shoe business for many years and I initially worked for Italian houses whose quality products I honored.
However, year after year I saw things change; the business became less lucrative because of overseas competition. Step by step, I noticed that I saw less people in the factories that I visited every year, although sold volumes did not fall back at the same pace. I felt something was not right. I could tell… I know shoes, I know craftsmanship, I know what it should feel like, I know how they should smell…
I had to realize that bit by bit production was outsourced oversees and no one wanted to admit. I started thinking is this what I want to stand for? It kept me out of my sleep and I thought about this for weeks ….
The idea behind the brand
This is the point where I started to play with the idea of creating my own brand that should be fully honest and should have the best possible sustainable approach.
I wanted the environmental impact of my project to be as low as possible and I wanted to be 100% sure that there will be no human cost at my project.
Every KUNOKA shoe is touched by real humans with families and their own set of dreams and I could not bare the idea that someone, somewhere in my project would have to struggle to survive or to feed their children or work in a toxic environment.
This I why I choose to work with a family-owned Portuguese atelier, where I can see what happens, where I know the people and where I can feel and touch every step in the birth of a KUNOKA shoe.
The second advantage of producing nearby is that we exclude the extreme environmental impact of overseas transport. Which brings me to my second concern, environmental impact which is a hard knot to untie in shoe business.
Challenges
I started by developing different prototypes and I wanted to know everything: what are they made of? Can we not change this into that? What is the effect of this? Where does this sole comes from? What is in the sole? Who makes them? How much water does it cost? How comfortable are they? Can they be modern and beautiful enough? – Hey yes, fashion remains my natural habitat and I don’t want to bring another sustainable brand which’ appearance or comfort aspect makes it obvious that the brand is sustainable.
I went on and on and made everybody – including myself – crazy. I was making progress but there were so many uncertainties and more than once doubt just hit me in the face … Would I ever find the courage to finally jump and officially go for this project?
The last of many signs…
I kept on doubting until the memorisable meeting in New York central park, this was the last of many signs I needed. Gabriella KUNOKA, who I did not know until that day, making a remark about the prototype I was wearing at that moment, convincing me that I should go for this beautiful project! Ever since, I realize every day, what I do might not be perfect, but it is not by finger pointing or complaining and sitting still that we will make progress. It is what I actually do what counts. And this is the whole story, this is how KUNOKA was born.
Always striving for the best
We are not perfect; we – and the entire industry – have a long way to go, but every initiative, how small it might look, makes a difference!
And I am proud of how far we have come and of any difference we can make, I guarantee that I will always strive for the best possible sustainable approach and I promise that this is just the beginning!
Let’s be kind to people and be kind to our world.
Love, Evelyne.
Kortrijksesteenweg 1092/G Gent 9051 Belgium
Gigue
GigueMore Info
Gigue is a Belgian fashion brand with a decidedly feminine signature. The collections, known for colour, print and sophisticated details, include ready-to-wear, shoes and accessories. The looks exude spontaneous elegance, are superbly tailored and feel fabulous due to the high-quality fabrics. When designing the ever contemporary-chic collections, Gigue designer Audrey Wyckmans is inspired by her respect for a form of casual style, interior design, travel and art.
The looks exude spontaneous elegance and feel fabulous.
Each season is centered around 4 or 5 themes which can be easily combined. Gigue will not give in to radical style overhauls. The collections flow seamlessly into one another, nonetheless they are perfectly in tune with contemporary fashion trends.
Headquartered in Antwerp, Gigue now boasts a distribution network of brand stores, shop-in-shops and more than one hundred fifty multi brand stores, both in Belgium and abroad.
Gigue’s history dates to the beginning of the 1980s when founder Jo Wyckmans introduced the preppy look in Belgium with his ‘A Different Dialogue’ collection. In 1991 he founded Gigue and instantly put the label on the map, by earning the title ‘Designer of the Year’.
Around the year 2000 Gigue evolved with the arrival of designer Audrey, daughter of the founder, and her ultra-feminine collections. For about 25 years now, Gigue has remained true to its identity.
Gigue has always devoted considerable attention to its image. Since the label was founded, top photographers and up and coming international models have worked for Gigue, giving brand images and catalogues that extra special touch. The Gigue clothes and models are always portrayed in a very natural way without excessive make-up or glitter.
Head office Boomsesteenweg 12/1 Aartselaar 2630 Belgium
rue des Ploppes 1A Esneux 4130
Annette Kölling
Annette KöllingMore Info
Annette graduated 2007 at the Royal Academy of fine Arts in Antwerp, Belgium.
Since then, she has worked for major fashion and design houses within Europe.
After living eleven years abroad, Annette moved back to Germany in autumn 2013.
Settled in Berlin she is expanding her ladies shoe collection internationally.
LETTESTR.4 Berlin 10437 Germany
Tim Van Steenbergen
Tim Van SteenbergenMore Info
About
Tim Van Steenbergen
Tim Van Steenbergen graduated Magna cum Laude at the Antwerp Royal Academy of Fine Arts (fashion department, textile creation and theatre costume). Subsequently he took classes in drapery and couture techniques and worked as assistant of Olivier Theyskens.
His first collection was launched in 2001 in Paris and in the same year he set up his company Mitzlavv bvba.
Meanwhile he’s up to his twenty third collection/fashion show and the label Tim Van Steenbergen is being sold in the best designer shops all over the world. His style evolves into a refined pureness and female elegance. He is a master of contemporary drapery and every detail, high quality standards, tradition and craftsmanship are being cared for.
Tim designs the costumes for international movie, theatre, dance and opera creations as for Anne Teresa de Keersmaecker, Guy Cassiers and Sidi Larbi Cherkaoui.
Between 2010 and 2013 Tim Van Steenbergen is creating the costumes for Richard Wagner’s opera cycle ‘Der Ring des Nibelungen’, Teatro alla Scala in Milan and the Staatsoper Unter den Linden in Berlin.
Nowadays Tim Van Steenbergen is increasingly evolving into a creative lab.
Recent developments thereof are ‘Metronome’, a first light design for Delta Light, an interior fabrics collection in collaboration with Aristide and total interior concepts Tim Van Steenbergen with Boa Interior.
Philosophy
The challenge in my work is the search for authenticity and artisanship in fashion.
The difference between confection and prêt-à-porter or couture is to be found in how it is made.
Handwork, quality of fabric, building a piece layer by layer, differentiates my work from confection.
I’m in search of old values in a new world.
The motivation in my work is to transfer craftsmanship and the old values into different and modern designs.
Due to my belief in artisanship, every garment is created by hand on the dummy to develop its characteristic shape.
These traditional construction process and unique draping techniques guarantee a high appreciated quality and an exclusive collection.
Studio Tim Van Steenbergen
The studio of Tim Van Steenbergen is located in a 19th century mansion close to the historical site of the Antwerp military hospital. An eclectic interior were fashion meets art, historical elements are confronted with design and vintage furniture.
The studio Tim Van Steenbergen is the optimal place to realize his ideas, situated in the pocketsize metropolis Antwerp. This refreshing cosmopolitan owes its reputation to the mighty part, the world diamond centre and its trendsetting vision of fashion.
This welcoming multicultural city-on-the-river the Scheld, is an intelligent, complex, fascinating and surprising habitat with a magnificent contemporary architecture, opera and theatre, monuments and artworks as well as its historical medieval centre.
The home of the Flemish Baroque master Rubens.
The Red Star line company set off its ships on the transatlantic voyage with millions of emigrants who set out for a new life in the States and Canada.
Nowadays Antwerp is one of the fastest growing cultural cruise destinations in Europe.
“Due to its excellent acces, it pushes you to travel the world looking for new impressions and personal experiences.”
“After all it is an attractive place to come home from where you can work independently and with an open minded view on the rest of the world.”
Creations
- ‘Hanjo’, opera, Festival Lyrique d’Aix-en-Provence / the Monnaie Brussels
- ‘Hersenschimmen’, theater , Ro Theater Rotterdam
- ‘d’Un Soir un Jour’ and ‘Steve Reich Evening’, dance, Rosas / the Monnaie Brussels
- ‘Triptych of Power; ‘Mefisto’, ‘Wolfskers’ and ‘Atropa’, theater, Toneelhuis Antwerp / Festival d’Avignon / Théâtre de la Ville de Paris
- ‘The House of the Sleeping Beauties’, opera, LOD / Toneelhuis Antwerp / the Monnaie Brussels
- ‘Adam in Exile’, opera, Opera of Amsterdam
- ‘La Chanteuse du Tango’, movie by Diego Martinez Vignatti with Eugénia Ramirez.
- ‘Prélude à la Mer’, movie, Rosas / Thierry De Mey
- ‘Das Rheingold’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Blood & Roses, the Song of Joan and Gilles’, theatre , Toneelhuis Antwerp / Festival d’Avignon
- ‘Die Walküre’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Labyrinth’, dance, National Ballet Amsterdam, Sidi Larbi Cherkaoui
- ‘Siegfried’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Götterdämmerung’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Milonga’, dance, Sadlers Wells, Sidi Larbi Cherkaoui
- ‘MCBTH’, theater, Toneelhuis / Spectra Ensemble / Vocaallab
- ‘Romeo & Julia’, ballet, Royal Ballet of Flanders
- ‘Hamlet’, theater, Toneelhuis / Toneelgroep Amsterdam
- ‘Het vertrek van de Mier’, theater, Toneelhuis / Het Paleis / Kunstz
- ‘Firebird’, ballet, Stuttgarter Ballett
- ‘Passions Humaines’, theater, costumes and set, Toneelhuis / Mons Culturele Hoofdstad
- ‘Xerse’, costumes and set, Opéra De Lille
- ‘Caligula’, costumes and set, Toneelhuis
- ‘De welwillenden’, costumes and set, Toneelhuis / Toneelgroep Amsterdam
- ‘Pictures at an exhibition’, ballet, costumes and set, Royal Ballet of Flanders, Sidi Larbi Charkaoui
- ‘Ma mère l’oye’, ballet, costumes and set, Royal Ballet of Flanders, Jeroen Verbruggen
- ‘Trompe la mort’, opera, costumes and set, Opéra national de Paris
- ‘Grensgeval’, theatre, costumes and set, Toneelhuis
- ‘Movement in Blue’ & ‘Movement in White’, Tim Van Steenbergen X Ashtari Carpets
- ‘Het kleine meisje van meneer Linh’, costumes, Toneelhuis
- ‘Vergeef ons’, costumes, Toneelhuis / Toneelgroep Amsterdam
marialei 18 Antwerpen 2018 Belgium