About
After reading the book “The Emperor wears no clothes” by hemp advocate Jack Herer, Emilio De Baudringhien got inspired to start a company that would bring this amazing plant and all of its benefits, back to humanity.
Since hemp is a carbon negative crop we strongly believe it can be a key player in fighting global warming… think of it this way: we are growing a plant in 100 days that takes huge amounts of carbon from our atmosphere and stores it safely in the ground, actually increasing the fertility of the soil. After the plant is harvested we can use every single aspect of the plant for a different purpose, leaving no waste. All this with a minimum input of water and nutrients and no use of pesticides and herbicides.
1 acre of hemp takes in 10 times the amount of carbon compared to 1 acre of rainforest.
Emilio doesn’t consider The Ornament Hemp Co. a fashion company since we don’t follow fashion trends or seasons. Instead we see the company as a vehicle to support the hemp movement in all its forms.
Emilio never started this company for money gaining purposes. All of the money that comes in is directly re-invested in creating more products made from hemp to help increase global hemp crop production and help create a world with more durable products made from replenishable crops such as hemp.
At the end of 2017, Emilio set up a crowdfunding campaign to set up his label. Thanks to 110 lovely backers, Emilio got his project funded and was able to take off.
Bellerose
BelleroseOUR PASSION FOR REINTERPRETED AUTHENTICITY
COLLECTIONS
Designing garments without compromise allows us to focus on genuine products and authentic values. Our collections are based on true stories, delivering a specific point of view, which has become our signature. We control our product and our brand, while knowing that God is in the details. The Bellerose woman juggles between a military-inspired parka, that conceals a night gown and a pair of army trousers worn with leather brogues. Her children are granted the permission to be everything, all at once. Reflecting their age group, they enjoy their activities without worrying about the state of their t-shirt after a fight on the grass. With references to the army and workwear, the Bellerose man revisits the “old school” to suit an allure at that is at the same time casual and unique.
STORES
Creating a store is like building a new home. We want the space to be comfortable and functional, as well as reflecting our own tastes and aesthetics. Each store is individual, even though there are features they all share creating this particular Bellerose experience. Authenticity is core to all 16 flagship Bellerose stores and its 600 multi brand customers across Europe, Japan and the United States. Merging architectural genius with respect and preservation of the space: the stores are designed with wood, ambient sound, olfactory, cosy, raw and wide spaces. It is something rough and rock ‘n roll, real and sought out.
3 Rijshout Groot-Bijgaarden 1702 Belgium
Fred & Luis
Fred & LuisIn 2013, I (Sybille), mother of 4 boys & married to Frédéric, launched the 1st swimwear collection of Fred & Louis.
Based on leftover fabrics & sewn in a very small unit belonging to NGO A Way With You in Pondicherry this first collection tried to fill the market with a perfect product. Really important in my eyes are
- sustainability 🌱
- elegance
- finishing
- comfort
- affordability
- social
Thanks to the extremely soft inside net which is sourced in France, the prints designed in Belgium & produced in Portugal, I can try to ally elegance, comfort, softness and sense of detail for the swimwear collection.
After a while, we’ve decided to add some boxer shorts & a nightwear collection to our range…
The search of materials and patterns is my playground. The collection stands out by the subtlety of the details but also it’s sustainability🌱!
All coton fabrics are sourced personally once a year in Delhi. I select fabrics within leftovers from overproduction… This is a kind of upcycling & enables us at the same time to offer you loads of choice in very limited quantity… almost like a tailor-made brand.
The guideline of the brand : family, which is to be found everywhere across the collection. Firstly, through our brand name : « Fred & Louis » Fred being the dad & hubby and Louis, the 2nd of our boys . Secondly, all the names of the collection refer to our children, nephews, close friends’ children!
MEET THE FOUNDER
WHO IS HIDING BEHIND THE PROJECT 1971?
This high-quality Belgian fashion brand was founded by current Creative Director Christelle Loozen.
With over twenty years’ experience as a freelance denim product developer for both national and international brands and designers, Christelle is now ready to take up her own challenge through her brand 1971, offering an exclusively-designed original, high-quality and ethical product, one that is as original as it is a ‘revival’.
‘I’m passionate about fashion and I always have been. Through 1971, I am offering clothes inspired by my childhood memories, my experience of motor sports, and my unconditional love for denim.
My clothes are designed to fit most people, providing a casual yet trendy touch. With my many years of experience, I have been able to source the best sustainable yarns and fabrics from across Europe.
I’ve made the decision to work with the same European suppliers I have already worked with over the last 15 years. We share the same goals and overall vision, leaving no room for compromise when it comes to product quality, environmental impact, and the provision of good working conditions for our employees.’
We choose only the finest materials and best factories to make our timeless products, with the hope that they will last you many years, even decades.
Our prices are calculated as precisely as possible, while our partners, from workers to stores, are paid the right amount, with each and every possible cent reinvested into the local economy of each country.
We believe in a fair economy that works for the everyday.
Gerard-Sart 1 Dalhem 4606 Belgium
Very Important Pixels is a fresh brand that features iconic pixel portraits on fashionable tops and sweaters. Inspired by 80s video games, Belgian designer Kristof Saelen has developed an original and unique style in which he handcrafts his works pixel by pixel
Very Important Pixels™ is a series of illustrations inspired by icons from the past and present. Each pixel portrait has been manually crafted starting from a blank canvas.
A selected collection of works was featured on apparel and other fashionable merchandise and got picked up by world-renowned boutiques such as Kitson (LA), Patricia Field (NYC), Colette (Paris), Spectrum (Milan), Venturer (Tokyo) and many more. Online prominent mentions and interviews include features on Wired, El País (Spain), My Modern Met and numerous blogs and papers. T-shirts and merch are still available online.
Visit our Rarible collection to find limited edition collectibles, hosted on the Ethereum blockchain in the form of non-fungible tokens (NFTs). Each purchased artwork automatically registers the buyer as a certified owner and unlocks secret features such as exclusive access to source files and unpublished artwork versions.
Nathalie Engels
Nathalie EngelsAbout Nathalie Engels
The clothing brand Nathalie Engels is a high-end sustainable label with its origins in Ghent, Belgium.
The brand stands for a collection which is created out of intuition and feeling. Made by a designer passionate by colour in all its aspects.
Nathalie with her 25 years of design experience believes that colour speaks a language that contributes to a positive energy, language that supports and brings out the internal beauty.
Serpentstraat 1 Gent 9000 Belgium
Christian Wijnants
Christian WijnantsChristian Wijnants is an Antwerp-based fashion designer.
Born in Brussels, Christian moved to Antwerp in 1996 to study fashion design at the Royal Academy of Fine Arts. His graduate collection won the Dries Van Noten Award for best collection in 2000. After graduation, Christian presented his collection at the prestigious Festival d’Hyères, where it was awarded the Grand Prix and picked up by stores including Colette (Paris), Pineal Eye (London), and Via Bus Stop (Tokyo). After working with Van Noten in Antwerp and Angelo Tarlazzi in Paris, Christian launched his eponymous label in 2003.
Christian Wijnants presents his collections in Paris during Paris Fashion Week and is sold at boutiques and department stores worldwide including Barneys, Tomorrowland and Opening Ceremony.
Rich, layered graphics and fresh colors translated into eloquent knitwear offer a play of authenticity and luxury that has won him the 2013 International Woolmark Prize, the 2006 ANDAM Award, and the 2005 Swiss Textiles Award. Christian Wijnants is in collaboration with Swarovski for Spring-Summer 2016 and Autumn- Winter 2016 and has been nominated for Swarovski Collective Prize for Innovation.
Wijnants opened his first flagship store in Antwerp in September 2015.
HEAD OFFICE 215 Italiëlei bus 21 Antwerpen 2000 Belgium
36 Steenhouwersvest Antwerp 2000 Belgium
Raf Simons
Raf SimonsBORN NEERPELT, BELGIUM IN 1968.
GRADUATES IN INDUSTRIAL DESIGN AND FURNITURE DESIGN IN 1991 AND STARTS WORKING AS A FURNITURE DESIGNER FOR GALLERIES AND PRIVATE INTERIORS. BEFORE THIS, RAF SIMONS INTERNED AT THE DESIGN STUDIO OF WALTER VAN BEIRENDONCK, WORKING ON THE PRESENTATION AND DECORATION OF THE VAN BEIRENDONCK SHOWROOMS AND COLLECTIONS.
IN A RADICAL CHANGE OF PROFESSION, HEREBY ENCOURAGED BY LINDA LOPPA, HEAD OF THE FASHION DEPARTMENT OF THE ANTWERP ROYAL ACADEMY, HE BECOMES A SELF-TRAINED MENSWEAR DESIGNER IN 1995 AND LAUNCHES HIS RAF SIMONS LABEL.
DESIGNS THE MENSWEAR OUTFITS FOR RUFFO RESEARCH (SPRING-SUMMER 1999 AND AUTUMN-WINTER 1999-2000).
OCTOBER 2000, RAF SIMONS IS APPOINTED HEAD PROFESSOR OF THE FASHION DEPARTMENT OF THE UNIVERSITY OF APPLIED ARTS, VIENNA, AUSTRIA UNTIL JUNE 2005.
WINS FIRST PRIZE SWISS TEXTILES AWARD, LUCERNE, SWITZERLAND IN NOVEMBER 2003.
PRESENTS ‘RAF SIMONS REDUX’, A BOOK BY PETER DE POTTER AND RAF SIMONS (PUBLISHED BY CHARTA/FONDAZIONE PITTI DISCOVERY) COINCIDING WITH HIS LABEL’S 10TH ANNIVERSARY. ‘RAF SIMONS 1995-2005’, A FASHION/ART EVENT AT THE GIARDINI DI BOBOLI IN FLORENCE, ITALY (INITIATED AND PRODUCED BY THE FONDAZIONE PITTI DISCOVERY, JUNE 2005) EQUALLY CELEBRATES HIS FIRST DECADE IN FASHION.
NAMED CREATIVE DIRECTOR OF JIL SANDER (MENSWEAR AND WOMENSWEAR) FROM JULY 2005 UNTIL FEBRUARY 2012.
APRIL 2011, RAF SIMONS IS PRESIDENT OF THE FASHION JURY OF THE HYÈRES 26TH INTERNATIONAL FESTIVAL OF FASHION AND PHOTOGRAPHY.
CURATES TRANSMISSION 1, A THREE-DAY MULTIDISCIPLINARY EVENT IN BERLIN INITIATED AND SPONSORED BY MERCEDES-BENZ IN JULY 2011.
APRIL 2012 – NOMINATED ARTISTIC DIRECTOR OF CHRISTIAN DIOR FOR WOMEN’S HAUTE COUTURE, READY-TO-WEAR AND ACCESSORY COLLECTIONS. RAF SIMONS PRESENTS HIS FIRST HAUTE COUTURE COLLECTION IN JULY 2012.
LIVES AND WORKS IN ANTWERP, BELGIUM.
The most important message Raf Simons wants to communicate is:
PRIDE IN INDIVIDUALITY.
Fuelled by his love for both rebellious youth cultures and traditional menswear, he emerges in fashion halfway through the nineties, presenting a radically different image of masculinity. Fusing the energy and singularity of teenage subcultures with the sharpness and precision of classical sartorial craft, the look presented by Raf Simons is both inspired by and designed for confident outsiders.
From the first collection on, music, art, performance, images and words have a substantial role in the whole package, summing up, or rather clarifying the kind of world Raf Simons wants to project. Always at the core of his universe (and as essential as the clothes themselves) are attitudes, moods and statements about individuality and independence.
Equally important in Raf Simons’ approach is the constant quest for innovation. The designs are always looking for the now and tomorrow, even if they are inspired by historical or classical references. Throughout the years, with the signature style evolving and maturing, the key elements stay the same: modern proportions, a constant research for fabrics and textures and above all the interplay of pure construction and new shapes with the body and psyche of the contemporary man.
Walter Van Beirendonck
Walter Van BeirendonckPERSONAL FACTS:
• Born: 04.02.57, Brecht, Belgium
• Studies: Fashion at the Royal Academy of Fine Arts in Antwerp
• First breakthrough: British Designer Show / London in 1987 as part of ‘The Antwerp Six’
(with Dirk Van Saene, Dries Van Noten, Dirk Bikkembergs, Ann Demeulemeester and Marina Yee).
• Since 1983 collections under the label Walter Van Beirendonck
RECENT ACTIVITIES:
• HEAD FASHION-DEPARTMENT ROYAL ACADEMY ANTWERP
• Childrens Collection ZULUPAPUWA for JBC
• Designer collection Walter Van Beirendonck
WOEST – Autumn/Winter 2016-2017
Electric eye – Spring Summer 2016
Explicit Beauty – Autumn/Winter 2015-2016
WHAMBAM! – Spring/Summer 2015
Crossed Crocodiles Growl – Autumn/Winter 2014-2015
Home Sweet Home – Summer 2014
Shut your eyes to see – Autumn/Winter 2013-2014
Silent Secrets- Summer 2013
Lust Never Sleeps- Autumn/Winter 2012-2013
Cloud #9 – Spring/Summer 2012
Hand on Heart – Autumn/Winter 2011-2012
Read My Skin – Summer 2011
Take a W-ride – Autumn/Winter 2010-2011
Wonde® – Spring/Summer 2010
Glow – Autumn/Winter 2009-2010
eXplicit – Spring/Summer 2009
SKIN KING – Autumn/Winter 2008-2009
SEXCLOWN – Spring/Summer 2008
STOP TERRORISING OUR WORLD – Autumn/Winter 2006-2007
RELICS FROM THE FUTURE – Spring/Summer 2006
WEIRD – Autumn/Winter 2005-2006
SUPERNATURAL – Spring/Summer 2005
CLOUDY STARS – Autumn/Winter 2004-2005
FUTUREDAY – Spring/Summer 2004
• 1999-until 2004: æstheticterrorists® by walter
PIXYDUST – Autumn/winter 2003-2004
RESPECT RETHINK REACT – Spring/Summer 2003
FLY OR VANISH – Autumn/Winter 2002-2003
BODY:XtensionXfashion – Spring/Summer 2002
• 1999-untill 2002: Walter Van Beirendonck
REVOLUTION – Autumn/Winter 2001-2002
STARSHIP EARTH – Spring/Summer 2001
DISSECTIONS – Autumn/Winter 2000-2001
GENDER? – Spring/Summer 2000
NO REFERENCES – Autumn/Winter 1999-2000
• Since 1985 is Walter teaching in the fashion-department from the Royal Academy of
Arts-Antwerp/Belgium
• In 1998 opened Walter Van Beirendonck ,’Walter’ , a multilabel store,with annex the
‘window’-gallery, St.Antoniusstraat 12 – Antwerp/Belgium
• Between I993 and 1999:designer of W.&L.T./Wild and Lethal Trash
Last collection designed by Walter was: Hi Sci Fi: Spring/Summer 1999
INSPIRATION: •••top
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Since his early collections, Walter has been inspired for his designs
by art, music and literature, all mixed with ethnic and nature influences.
Walter Van Beirendonck is considered to be one of the main trend-setters
in men’s fashion by the professional press.
His designs are very recognisable by either strong graphics
or innovating cuts and unexpected colour combinations .
The red thread throughout his collections is his sense of humour,
sex with an eye-wink and his concern about ‘safe sex’.
His continous statements about the fashion-world,earth,nature, contemporary life
and society are collected in prints and slogans.
Often ‘double bottomed’!
Always in a complete unconventional context.
Since 1983 carries every collection a well-defined name.
OTHER ACTIVITIES:
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Walter works besides the collections,regurarely on projects:
• Designing costumes for theater, ballet and film,curating expositions,designing objects,
think-thank for commercial projects and products,image-making for pop-groups,
illustrating books,designing commercial collections…
• Walter is buyer for the ‘Walter’-store and co-curater for the ‘Window’-gallery.
• Due to Walter’s intrest in ‘Cyber’-technology,W.&L.T. was the first fashionlabel,which
launched a full-CD-rom and Website, showing besides the collections, information and self-designed games.
EXHIBITIONS
Walter Van Beirendonck / Aestheticterrorists /
W< by Walter Van Beirendonck from 1986
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Momu Antwerp / Belgium
Exposition : ‘Happy Birthday Dear Academy’ – 2013/2014
RMIT Design Hub / Melbourne Australia
Exposition : ‘Dream The World Awake’ – 2013
Momu Antwerp / Belgium
Exposition : ‘Dream The World Awake’ – 2011/2012
Selfridges London / UK
Participation-exposition : Selfridges / Judith Clark – 2011
Galeri Peithner-Lichtenfels Vienna /Austria
Participation-exposition : Anti Depressiva – 2011
Benaki Museum Athens / Greece
Participation-exposition : ARRRHG! Monsters in Fashion – 2011
Song Song Vienna/Austria
Exposition : ‘Paradise Pleasure Productions’ – 2010
Zand Eindhoven / Netherlands
Participation-Exposition : ‘Glass Works’ – 2010
Momu Antwerp / Belgium
Participation-Exposition : ‘Stephen Jones & the Accent of Fashion’ – 2010
Art Brussels
Participation-Exposition : ‘Triple X – Wonde® Gallery – 2010
Museum Boijmans van Beuningen Rotterdam / Netherlands
Participation-Exposition : ‘The art of Fashion – Installing Allusions’ – 2009
Galerie Polaris Paris / France
Participation-Exposition : ‘2357’ – 2009
Gemeentemuseum Den Haag / Netherlands
Participation-Exposition : ‘De ideale man’ – 2008
Metropolitan Museum of Art New York / USA
Participation-Exposition : ‘Superheroes, Fashion and Fantasy’ – 2008
Modemuseum Hasselt / Belgium
Participation-Exposition : ‘Ten dans gevraagd’ – 2008
Nationaal glasmuseum Leerdam, in Fort Asperen / Netherlands
Participation-Exposition : ‘De ideale man’ – 2008
Oude Gevangenis Hasselt / Belgium
Participation-Exposition : ‘Dichter op de huid’ – 2008
Science Gallery Dublin / Ireland
Participation-Exposition : ‘Technothreads, What fashion did next’ – 2008
Victoria and Albert Museum London / UK
Participation-Exposition : ‘Fashion V’ – 2008
Benaki Museum Athens / Greece
Participation-Exposition : RRRIPP!!, paper fashion – 2007
Museum of the Fashion Institute of Technology New York / USA
Participation-Exposition : ‘Exotism’ – 2007
Speelgoed museum Mechelen / Belgium
Participation-Exposition : Speelgoed van… – 2007
Vlaam Parlement, de loketten Brussels / Belgium
Participation-Exposition : ‘6+ Antwerpse Mode – 2007
MoMu Antwerp / Belgium
Participation-Exposition : ‘De MoMu Collectie – Selectie II’ – 2006
3. Biennale Berlin Germany
Video Installation – 2004
Lille / France
Dreamcube Installation – European Cultural Capital – 2004
MoMu Antwerp / Belgium
Participation-Exposition : ‘Malign Muses, when fashion turns back’ exhibition – 2004
Musée de design et d’arts appliques contemporains Lausanne / Swiss
Participation-Exposition : ‘Body Extentions’ – 2004
Museum of Contemporary Art Chicago / USA
Participation-Exposition : ‘Skin Tight / The Sensibility of the Flesh’ – 2004
Forum – Fashion Nation Antwerp / Belgium
Exposition : Ballet costumes designed for ‘Not Strictly Rubens’ – 2003
Lidewij Edelkoort Fort Asperen Netherlands
Installation ‘Weest steeds waakzaam’ – Armour, the fortification of Man – expositions – 2003
MoMu Antwerp / Belgium
Participation-Exposition : ‘Patterns’ – 2003
Musée de la Mode Paris / France
Participation-Exposition : ‘Trop’ – 2003
Museum of Applied Arts Cologne / Germany
Participation-Exposition : ‘Koerprnah – Koerperfern’ – 2003
Selfridges London / UK
Participation : Body Vision Project, representing the ‘Playful Body’ – 2003
MoMu Antwerp / Belgium
Participation-Exposition : ‘Backstage’ – 2002
National Design Museum New York / USA
Participation-Exposition : ‘Skin’, curated by Cooper Hewit – 2002
Victoria & Albert Museum London / UK
Participation-Exposition : ‘Men in Skirts’ – 2002
Bon Marché Rive Gauche Paris – France
Participation-Exposition : ‘Les collections d’art des couturiers et créateurs mode’ – 2001
Kobe Fashion Museum Japan
Participation-Exposition : ‘Mohr: Colour and Space part 5 Sayoko’- 2001
Metropolitan Museum of Art New York / USA
Participation-Exposition : ‘Extreme beauty’ – 2001
Museum of the Fashion Institute of Technology New York / USA
Participation-Exposition : ‘Belgian Fashion Design : Antwerp Style’ – 2001
Boijmans Van Beuningen Rotterdam / Netherlands
Participation-Exposition : ‘Exorcism / Aesthetic Terrorism’ – 2000
CCAC San Francisco / USA
Participation-Exposition : ‘Fast Forward’ – 2000
Elena Levi Roma / Italy
Participation-Exposition : Curated by Haim Steinbach – 2000
Galerie Enrico Navarra Paris / France
Participation-Exposition : ‘Le Corps Mutant’ – 2000
Grimaldi Forum / Monaco
Participation-Exposition : ‘Air Air’ exhibition – 2000
New York / USA
Installation Summer 2001 ‘Starship Earth’- collection – 2000
Hasselt / Belgium
Installation-Exposition : ‘In de Ban van de Ring’ – 1999
Kuenstlerhaus Vienna Austria
Participation-Exposition : ‘Fast Forward’ – 1999
Metropolitan Museum of Art Tokyo/Japan
Participation-Exposition and catalogue :
‘Vision of the Body : Fashion Invisible Corset’ with Video ‘Fetish for Beauty’ – 1999
Biennale di Firenze Italy
Installation at Stazione Leopolda (Fashion/Cinema) – 1998
Installation in context of New Universe / Personna – 1996
Boijmans Van Beuningen Rotterdam / Netherlands
Walter Van Beirendonck/W.&L.T. exhibition in collaborationwith Marc Newson – 1998
Design Museum London / UK
Participation-Exposition : ‘Welcome Little Stranger / Men in Black ‘Erotic Design’ – 1997
Louvre Paris/France
Participation-Exposition : Musée de la Mode – 1997
Copenhagen / Denmark
Installation – European Cultural Capital – 1996
Fashion Museum of Marseille / France
Exposition : ’10 years Walter Van Beirendonck 86-96′ – 1996
CURATOR – PROJECTS
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Boijmans Van Beuningen Rotterdam / Netherlands
Curator ‘Surreal Things, Surrealism and Design’ – 2007
Die Zeit Hamburg / Germany
Art Director for a special fashion issue of ‘Die Zeit’
Phaidon
Co-curator for the ‘Fashion-Cream’ Project (published – 2005)
Selfridges London / UK
Co-curator and designer of the windows for the Body Craze Festival – 2003
Sleazenation
Anti-War poster – 2003
Fashion show in Moscow and St. Petersburg – 2002
Mode 2001 Landed-Geland Antwerp / Belgium
Curator from 1999-2002 : Landed/Geland. Fashionproject conceived for the city of Antwerp
4 Exhibitions : ‘2 Women’, ‘Mutilate ?’, ‘The Radicals’, ‘Emotions’
A,B, C Magazine, Exhibition – Catalogues, Merchandising – Project – 1999-2001
Realisation video:
‘Revolution’ – Autumn/Winter 2001-2002
Moët & Chandon
‘L’esprit du Siècle’-award for the Six of Antwerp – 2000
Awarded title ‘Cultural Ambassador of Flanders – 1999
Nomination Fashion Awards in New York – 1998
Boijmans Van Beuningen Rotterdam / Netherlands
Curator ‘Kiss the future’. ‘Shop-Installation’- Project with Marc Newson – 1998
COOPERATIONS
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U2 / BONO
Outfits for the ‘Popmart’ tour
Mustang
Creatin gthe W< – Universum
Coca Cola
Coke – can for the ‘Coke light Fashion Edition Belgium’
Eastpak
Limited Edition by Walter Van Beirendonck
Nissan
Makeover of a Nissan Micra for the Brussels Automobile Fair.
It was sold in favour of the Aids Research department at the Antwerp Tropical Institute.
Theater Company Amsterdam
Costumes for ‘The massacre at Paris’ (Director : Ivo Van Hove)
Royal Ballet of Flanders
Costumes for ‘Not Strictly Rubens’
Rei Kawakubo
Cooperation for Landed 2001 / ‘2 Women’ – Art Directin 5 shows of Comme des Garçons in Antwerp
Marc Newson
Cooperation for Shopconcept W< presented on 13 and 14 March in Paris
‘Kiss the future’ Exhibition in the Boijmans-Van Beuningen Museum Rotterdam
Orlan
Cooperation for Catalogue ‘Believe’
Juergen Teller
Cooperation for fashionshoots and publications
Lidewij Edelkoort
Cooperation on different levels
Tropical Institute Antwerp department Aids research
Fundraising through regular projects
Liveball Vienna
Benefit Fashion show 2000 / Vienna – Austria
Amnesty International
design of Amnesty International T-shirt on the occasion of their 40th Anniversary for fundraising
Ronald Stoops
Cooperation for photoshoots
Inge Grognard
Cooperation for Make-up – projects
Mondino
Cooperation for photoshoots and Portraits of Walter
Bloomingdales
Interactive Windows, New York Fashion Week: exclusive W.&L.T. shopwindows / New York – USA
Starlab
Consultant for intelligent clothing / I – Wear Project / Brussels – Belgium
Woolmark
Lecturer and guest of honour / Melbourne – FFashion Festival Australia
Belgian Television VTM
In cooperation with JBC, Art Director for Levenslijn – Fundraising Project ‘I love Stars’
Bang & Olufsen
Lecture about colour for Bang & Olufsen, Denmark
Paul Boudens
Cooperation for Graphics, catalogues and magazines
Vivienne Westwood
Regular invitations as jury member – Hochschule der Bildenden Kuenste, Berlin
Mr. Pearl
Cooperation on the Mr. Pearl – Room – Landed/Geland 2001
Stephen Jones
Cooperation in several ‘Hat – Projects’
the Avalanches- Australia
T-shirt-project – 2002
Joan Morey
Text-contribution to catalogue of Bad Boys-project/Bienale of Venice
PUBLICATIONS
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Mutilate
Book of Walter Van Beirendoncks first ten years of fashion, launched by Imschoot Uitgevers.
Full colour reproductions and technical tour-de-force on the book manufacturer.
Complete with post-it, stickers, cut-outs and pop-ups… – 1998
Believe
Catalogue bringing together visions of Marc Newson, Orlan and Walter Van Beirendonck.
Especially realised for the exhibition : ‘Kiss the future’ – 1998
Kiss the future
CD-rom
Due to Walter Van Beirendoncks interest in ‘Cyber’ – technology, W< was the first fashionlabel, which
launched a full CD-rom and website, showing besides the collections, information and self-designed games
Paradise Pleasure Productions
CD-rom
Due to Walter Van Beirendoncks interest in ‘Cyber’ – technology, W< was the first fashionlabel, which
launched a full CD-rom and website, showing besides the collections, information and self-designed games
Magazines and Newspaper Publications
See http://www.waltervanbeirendonck.com -> publications
BIG bvba Aalmoezeniersstraat 2 – 1st floor Antwerp 2000 Belgium
JASNA ROKEGEM
A young and energetic pioneer in combining innovative fashion and cutting-edge technology. Not only in creating unique projects and collections, but also in bringing these to life by using techniques such as virtual and augmented reality. She has a strong vision on the clothing of the future and how it can add value to our daily lives. To achieve more and think further, Jasna likes working closely together with professional partners from around the globe.
These collaborations and projects brought her a lot of recognition and exposure. As a result she received various awards, gives lectures and gets invited to big events in different fields.
In January 2016, aged 23, she founded Jasna Rok, the first FashTech design studio in Belgium.
Jasna Rok provides a window to show the endless possibilities of technology and science today, by making them visible, tangible and understandable for the big audience through interactive fashion.
Raapstraat 6 Antwerpen 2000 Belgium