La Maison Degand
La Maison Degand
La Maison Degand en quelques mots
Chaque homme est unique
La vocation de ce lieu incontournable de l élégance masculine est de valoriser votre personnalité, de s’adapter à votre style de vie.
Vos désirs, vos souhaits, rencontreront toutes les réponses.
Le service et le conseil n’ont pas de limites, la créativité et la passion s illustrent dans les moindres détails.
Au cSur de cet univers, deux maîtres mots :
Professionnalisme et Passion. Pour chacun d entre vous, Messieurs, selon vos aspirations :
Degand Tailleur, Degand Sport & Business et Degand Shoes.
415, Avenue Louise Brussels 1050 Belgium
About
After reading the book “The Emperor wears no clothes” by hemp advocate Jack Herer, Emilio De Baudringhien got inspired to start a company that would bring this amazing plant and all of its benefits, back to humanity.
Since hemp is a carbon negative crop we strongly believe it can be a key player in fighting global warming… think of it this way: we are growing a plant in 100 days that takes huge amounts of carbon from our atmosphere and stores it safely in the ground, actually increasing the fertility of the soil. After the plant is harvested we can use every single aspect of the plant for a different purpose, leaving no waste. All this with a minimum input of water and nutrients and no use of pesticides and herbicides.
1 acre of hemp takes in 10 times the amount of carbon compared to 1 acre of rainforest.
Emilio doesn’t consider The Ornament Hemp Co. a fashion company since we don’t follow fashion trends or seasons. Instead we see the company as a vehicle to support the hemp movement in all its forms.
Emilio never started this company for money gaining purposes. All of the money that comes in is directly re-invested in creating more products made from hemp to help increase global hemp crop production and help create a world with more durable products made from replenishable crops such as hemp.
At the end of 2017, Emilio set up a crowdfunding campaign to set up his label. Thanks to 110 lovely backers, Emilio got his project funded and was able to take off.
Tim Coppens was founded in New York in 2011.
Born and raised in Belgium, Tim Coppens graduated from the internationally acclaimed Royal Academy of Fine Arts in Antwerp in 1998. He has worked with various luxury and sports-performance brands as Adidas and Ralph Lauren before founding his own label. SS15 marks the first full expansion of Tim Coppens into womenswear.
His collections are defined as athletic luxury portrayed with elegance and sophistication. Craftsmanship is blended with innovation.
The energy of the city, street culture, as well as a pulse that feels the present and the future are sources of inspiration.
Since his first season, Tim Coppens has received strong support and praise from both retailers and press. WWD selected him as part of the “10 of Tomorrow” Rising Stars. Barneys New York immediately ordered his first collection and international retailers followed suit, including Dover Street Market, Isetan, Club 21, Harvey Nichols UK, Mr. Porter and Lane Crawford.
In 2012 he received the Ecco Domani Award for “Best New Menswear Designer”. The following year he was awarded the Fashion Group International Rising Star of the Year. Most recently Coppens was a top 10 finalist for the LVMH Prize and the 2014 winner of the CFDA Swarovski Award for Menswear. This year he has been nominated for the CFDA “Menswear Designer of the Year” Award.
Walter Van Beirendonck
Walter Van BeirendonckPERSONAL FACTS:
• Born: 04.02.57, Brecht, Belgium
• Studies: Fashion at the Royal Academy of Fine Arts in Antwerp
• First breakthrough: British Designer Show / London in 1987 as part of ‘The Antwerp Six’
(with Dirk Van Saene, Dries Van Noten, Dirk Bikkembergs, Ann Demeulemeester and Marina Yee).
• Since 1983 collections under the label Walter Van Beirendonck
RECENT ACTIVITIES:
• HEAD FASHION-DEPARTMENT ROYAL ACADEMY ANTWERP
• Childrens Collection ZULUPAPUWA for JBC
• Designer collection Walter Van Beirendonck
WOEST – Autumn/Winter 2016-2017
Electric eye – Spring Summer 2016
Explicit Beauty – Autumn/Winter 2015-2016
WHAMBAM! – Spring/Summer 2015
Crossed Crocodiles Growl – Autumn/Winter 2014-2015
Home Sweet Home – Summer 2014
Shut your eyes to see – Autumn/Winter 2013-2014
Silent Secrets- Summer 2013
Lust Never Sleeps- Autumn/Winter 2012-2013
Cloud #9 – Spring/Summer 2012
Hand on Heart – Autumn/Winter 2011-2012
Read My Skin – Summer 2011
Take a W-ride – Autumn/Winter 2010-2011
Wonde® – Spring/Summer 2010
Glow – Autumn/Winter 2009-2010
eXplicit – Spring/Summer 2009
SKIN KING – Autumn/Winter 2008-2009
SEXCLOWN – Spring/Summer 2008
STOP TERRORISING OUR WORLD – Autumn/Winter 2006-2007
RELICS FROM THE FUTURE – Spring/Summer 2006
WEIRD – Autumn/Winter 2005-2006
SUPERNATURAL – Spring/Summer 2005
CLOUDY STARS – Autumn/Winter 2004-2005
FUTUREDAY – Spring/Summer 2004
• 1999-until 2004: æstheticterrorists® by walter
PIXYDUST – Autumn/winter 2003-2004
RESPECT RETHINK REACT – Spring/Summer 2003
FLY OR VANISH – Autumn/Winter 2002-2003
BODY:XtensionXfashion – Spring/Summer 2002
• 1999-untill 2002: Walter Van Beirendonck
REVOLUTION – Autumn/Winter 2001-2002
STARSHIP EARTH – Spring/Summer 2001
DISSECTIONS – Autumn/Winter 2000-2001
GENDER? – Spring/Summer 2000
NO REFERENCES – Autumn/Winter 1999-2000
• Since 1985 is Walter teaching in the fashion-department from the Royal Academy of
Arts-Antwerp/Belgium
• In 1998 opened Walter Van Beirendonck ,’Walter’ , a multilabel store,with annex the
‘window’-gallery, St.Antoniusstraat 12 – Antwerp/Belgium
• Between I993 and 1999:designer of W.&L.T./Wild and Lethal Trash
Last collection designed by Walter was: Hi Sci Fi: Spring/Summer 1999
INSPIRATION: •••top
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Since his early collections, Walter has been inspired for his designs
by art, music and literature, all mixed with ethnic and nature influences.
Walter Van Beirendonck is considered to be one of the main trend-setters
in men’s fashion by the professional press.
His designs are very recognisable by either strong graphics
or innovating cuts and unexpected colour combinations .
The red thread throughout his collections is his sense of humour,
sex with an eye-wink and his concern about ‘safe sex’.
His continous statements about the fashion-world,earth,nature, contemporary life
and society are collected in prints and slogans.
Often ‘double bottomed’!
Always in a complete unconventional context.
Since 1983 carries every collection a well-defined name.
OTHER ACTIVITIES:
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Walter works besides the collections,regurarely on projects:
• Designing costumes for theater, ballet and film,curating expositions,designing objects,
think-thank for commercial projects and products,image-making for pop-groups,
illustrating books,designing commercial collections…
• Walter is buyer for the ‘Walter’-store and co-curater for the ‘Window’-gallery.
• Due to Walter’s intrest in ‘Cyber’-technology,W.&L.T. was the first fashionlabel,which
launched a full-CD-rom and Website, showing besides the collections, information and self-designed games.
EXHIBITIONS
Walter Van Beirendonck / Aestheticterrorists /
W< by Walter Van Beirendonck from 1986
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Momu Antwerp / Belgium
Exposition : ‘Happy Birthday Dear Academy’ – 2013/2014
RMIT Design Hub / Melbourne Australia
Exposition : ‘Dream The World Awake’ – 2013
Momu Antwerp / Belgium
Exposition : ‘Dream The World Awake’ – 2011/2012
Selfridges London / UK
Participation-exposition : Selfridges / Judith Clark – 2011
Galeri Peithner-Lichtenfels Vienna /Austria
Participation-exposition : Anti Depressiva – 2011
Benaki Museum Athens / Greece
Participation-exposition : ARRRHG! Monsters in Fashion – 2011
Song Song Vienna/Austria
Exposition : ‘Paradise Pleasure Productions’ – 2010
Zand Eindhoven / Netherlands
Participation-Exposition : ‘Glass Works’ – 2010
Momu Antwerp / Belgium
Participation-Exposition : ‘Stephen Jones & the Accent of Fashion’ – 2010
Art Brussels
Participation-Exposition : ‘Triple X – Wonde® Gallery – 2010
Museum Boijmans van Beuningen Rotterdam / Netherlands
Participation-Exposition : ‘The art of Fashion – Installing Allusions’ – 2009
Galerie Polaris Paris / France
Participation-Exposition : ‘2357’ – 2009
Gemeentemuseum Den Haag / Netherlands
Participation-Exposition : ‘De ideale man’ – 2008
Metropolitan Museum of Art New York / USA
Participation-Exposition : ‘Superheroes, Fashion and Fantasy’ – 2008
Modemuseum Hasselt / Belgium
Participation-Exposition : ‘Ten dans gevraagd’ – 2008
Nationaal glasmuseum Leerdam, in Fort Asperen / Netherlands
Participation-Exposition : ‘De ideale man’ – 2008
Oude Gevangenis Hasselt / Belgium
Participation-Exposition : ‘Dichter op de huid’ – 2008
Science Gallery Dublin / Ireland
Participation-Exposition : ‘Technothreads, What fashion did next’ – 2008
Victoria and Albert Museum London / UK
Participation-Exposition : ‘Fashion V’ – 2008
Benaki Museum Athens / Greece
Participation-Exposition : RRRIPP!!, paper fashion – 2007
Museum of the Fashion Institute of Technology New York / USA
Participation-Exposition : ‘Exotism’ – 2007
Speelgoed museum Mechelen / Belgium
Participation-Exposition : Speelgoed van… – 2007
Vlaam Parlement, de loketten Brussels / Belgium
Participation-Exposition : ‘6+ Antwerpse Mode – 2007
MoMu Antwerp / Belgium
Participation-Exposition : ‘De MoMu Collectie – Selectie II’ – 2006
3. Biennale Berlin Germany
Video Installation – 2004
Lille / France
Dreamcube Installation – European Cultural Capital – 2004
MoMu Antwerp / Belgium
Participation-Exposition : ‘Malign Muses, when fashion turns back’ exhibition – 2004
Musée de design et d’arts appliques contemporains Lausanne / Swiss
Participation-Exposition : ‘Body Extentions’ – 2004
Museum of Contemporary Art Chicago / USA
Participation-Exposition : ‘Skin Tight / The Sensibility of the Flesh’ – 2004
Forum – Fashion Nation Antwerp / Belgium
Exposition : Ballet costumes designed for ‘Not Strictly Rubens’ – 2003
Lidewij Edelkoort Fort Asperen Netherlands
Installation ‘Weest steeds waakzaam’ – Armour, the fortification of Man – expositions – 2003
MoMu Antwerp / Belgium
Participation-Exposition : ‘Patterns’ – 2003
Musée de la Mode Paris / France
Participation-Exposition : ‘Trop’ – 2003
Museum of Applied Arts Cologne / Germany
Participation-Exposition : ‘Koerprnah – Koerperfern’ – 2003
Selfridges London / UK
Participation : Body Vision Project, representing the ‘Playful Body’ – 2003
MoMu Antwerp / Belgium
Participation-Exposition : ‘Backstage’ – 2002
National Design Museum New York / USA
Participation-Exposition : ‘Skin’, curated by Cooper Hewit – 2002
Victoria & Albert Museum London / UK
Participation-Exposition : ‘Men in Skirts’ – 2002
Bon Marché Rive Gauche Paris – France
Participation-Exposition : ‘Les collections d’art des couturiers et créateurs mode’ – 2001
Kobe Fashion Museum Japan
Participation-Exposition : ‘Mohr: Colour and Space part 5 Sayoko’- 2001
Metropolitan Museum of Art New York / USA
Participation-Exposition : ‘Extreme beauty’ – 2001
Museum of the Fashion Institute of Technology New York / USA
Participation-Exposition : ‘Belgian Fashion Design : Antwerp Style’ – 2001
Boijmans Van Beuningen Rotterdam / Netherlands
Participation-Exposition : ‘Exorcism / Aesthetic Terrorism’ – 2000
CCAC San Francisco / USA
Participation-Exposition : ‘Fast Forward’ – 2000
Elena Levi Roma / Italy
Participation-Exposition : Curated by Haim Steinbach – 2000
Galerie Enrico Navarra Paris / France
Participation-Exposition : ‘Le Corps Mutant’ – 2000
Grimaldi Forum / Monaco
Participation-Exposition : ‘Air Air’ exhibition – 2000
New York / USA
Installation Summer 2001 ‘Starship Earth’- collection – 2000
Hasselt / Belgium
Installation-Exposition : ‘In de Ban van de Ring’ – 1999
Kuenstlerhaus Vienna Austria
Participation-Exposition : ‘Fast Forward’ – 1999
Metropolitan Museum of Art Tokyo/Japan
Participation-Exposition and catalogue :
‘Vision of the Body : Fashion Invisible Corset’ with Video ‘Fetish for Beauty’ – 1999
Biennale di Firenze Italy
Installation at Stazione Leopolda (Fashion/Cinema) – 1998
Installation in context of New Universe / Personna – 1996
Boijmans Van Beuningen Rotterdam / Netherlands
Walter Van Beirendonck/W.&L.T. exhibition in collaborationwith Marc Newson – 1998
Design Museum London / UK
Participation-Exposition : ‘Welcome Little Stranger / Men in Black ‘Erotic Design’ – 1997
Louvre Paris/France
Participation-Exposition : Musée de la Mode – 1997
Copenhagen / Denmark
Installation – European Cultural Capital – 1996
Fashion Museum of Marseille / France
Exposition : ’10 years Walter Van Beirendonck 86-96′ – 1996
CURATOR – PROJECTS
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Boijmans Van Beuningen Rotterdam / Netherlands
Curator ‘Surreal Things, Surrealism and Design’ – 2007
Die Zeit Hamburg / Germany
Art Director for a special fashion issue of ‘Die Zeit’
Phaidon
Co-curator for the ‘Fashion-Cream’ Project (published – 2005)
Selfridges London / UK
Co-curator and designer of the windows for the Body Craze Festival – 2003
Sleazenation
Anti-War poster – 2003
Fashion show in Moscow and St. Petersburg – 2002
Mode 2001 Landed-Geland Antwerp / Belgium
Curator from 1999-2002 : Landed/Geland. Fashionproject conceived for the city of Antwerp
4 Exhibitions : ‘2 Women’, ‘Mutilate ?’, ‘The Radicals’, ‘Emotions’
A,B, C Magazine, Exhibition – Catalogues, Merchandising – Project – 1999-2001
Realisation video:
‘Revolution’ – Autumn/Winter 2001-2002
Moët & Chandon
‘L’esprit du Siècle’-award for the Six of Antwerp – 2000
Awarded title ‘Cultural Ambassador of Flanders – 1999
Nomination Fashion Awards in New York – 1998
Boijmans Van Beuningen Rotterdam / Netherlands
Curator ‘Kiss the future’. ‘Shop-Installation’- Project with Marc Newson – 1998
COOPERATIONS
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U2 / BONO
Outfits for the ‘Popmart’ tour
Mustang
Creatin gthe W< – Universum
Coca Cola
Coke – can for the ‘Coke light Fashion Edition Belgium’
Eastpak
Limited Edition by Walter Van Beirendonck
Nissan
Makeover of a Nissan Micra for the Brussels Automobile Fair.
It was sold in favour of the Aids Research department at the Antwerp Tropical Institute.
Theater Company Amsterdam
Costumes for ‘The massacre at Paris’ (Director : Ivo Van Hove)
Royal Ballet of Flanders
Costumes for ‘Not Strictly Rubens’
Rei Kawakubo
Cooperation for Landed 2001 / ‘2 Women’ – Art Directin 5 shows of Comme des Garçons in Antwerp
Marc Newson
Cooperation for Shopconcept W< presented on 13 and 14 March in Paris
‘Kiss the future’ Exhibition in the Boijmans-Van Beuningen Museum Rotterdam
Orlan
Cooperation for Catalogue ‘Believe’
Juergen Teller
Cooperation for fashionshoots and publications
Lidewij Edelkoort
Cooperation on different levels
Tropical Institute Antwerp department Aids research
Fundraising through regular projects
Liveball Vienna
Benefit Fashion show 2000 / Vienna – Austria
Amnesty International
design of Amnesty International T-shirt on the occasion of their 40th Anniversary for fundraising
Ronald Stoops
Cooperation for photoshoots
Inge Grognard
Cooperation for Make-up – projects
Mondino
Cooperation for photoshoots and Portraits of Walter
Bloomingdales
Interactive Windows, New York Fashion Week: exclusive W.&L.T. shopwindows / New York – USA
Starlab
Consultant for intelligent clothing / I – Wear Project / Brussels – Belgium
Woolmark
Lecturer and guest of honour / Melbourne – FFashion Festival Australia
Belgian Television VTM
In cooperation with JBC, Art Director for Levenslijn – Fundraising Project ‘I love Stars’
Bang & Olufsen
Lecture about colour for Bang & Olufsen, Denmark
Paul Boudens
Cooperation for Graphics, catalogues and magazines
Vivienne Westwood
Regular invitations as jury member – Hochschule der Bildenden Kuenste, Berlin
Mr. Pearl
Cooperation on the Mr. Pearl – Room – Landed/Geland 2001
Stephen Jones
Cooperation in several ‘Hat – Projects’
the Avalanches- Australia
T-shirt-project – 2002
Joan Morey
Text-contribution to catalogue of Bad Boys-project/Bienale of Venice
PUBLICATIONS
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Mutilate
Book of Walter Van Beirendoncks first ten years of fashion, launched by Imschoot Uitgevers.
Full colour reproductions and technical tour-de-force on the book manufacturer.
Complete with post-it, stickers, cut-outs and pop-ups… – 1998
Believe
Catalogue bringing together visions of Marc Newson, Orlan and Walter Van Beirendonck.
Especially realised for the exhibition : ‘Kiss the future’ – 1998
Kiss the future
CD-rom
Due to Walter Van Beirendoncks interest in ‘Cyber’ – technology, W< was the first fashionlabel, which
launched a full CD-rom and website, showing besides the collections, information and self-designed games
Paradise Pleasure Productions
CD-rom
Due to Walter Van Beirendoncks interest in ‘Cyber’ – technology, W< was the first fashionlabel, which
launched a full CD-rom and website, showing besides the collections, information and self-designed games
Magazines and Newspaper Publications
See http://www.waltervanbeirendonck.com -> publications
BIG bvba Aalmoezeniersstraat 2 – 1st floor Antwerp 2000 Belgium
ABOUT US
Made to fit and extraordinarily comfortable, Sizable underwear is the benchmark for the modern man.
As the first layer between our intimate selves and another person’s gaze, we should think of our underwear as a second skin. Although we know it’s there, we ought to be able to forget it. When it comes to choosing underwear, comfort is our main priority. But how can it be comfortable if it is mass produced, sloppily designed and comes in standard sizes? In other words, if it will fit more or less anyone, but doesn’t fit anyone well? It pulls here, it’s too tight there, it moves, it irritates, it sags and finally you throw it away! If we take time and care choosing our shoes, trousers and coats, why not do the same for essential, indispensable underwear? In that respect, Sizable satisfies both a demand and a need.
Perfectly fitting, moisture-absorbing Sizable underwear lets you feel fresh and comfortable all day long. You’ll soon realise how luxurious it is. And with Sizable, you can afford it.
SECOND SKIN, FIRST PRIORITY
By definition, we wear our underwear between our skin and our clothing – except for Superman, that is. It is crucial, therefore, for it to combine several qualities all day, every day. Sizable products offer a combination of comfort, breathability and softness. They are a pleasure to touch and a joy to wear.
MADE-TO-FIT
Inspired by the philosophy of classic craftsmanship, Sizable has devised three body types – Jim, Joe and Jack – three lines competing to achieve a single goal: to ensure your underwear is the perfect fit.
Our garments and underwear are light and invisible, once you’re wearing them, you forget them. You can go about your day with complete peace of mind, Sizable has got you covered.
ETHICALLY MADE IN EUROPE
Created from durable fiber like eucalyptus, bamboo and organic cotton, Sizable garments and underwear are environmentally friendly, sustainable and 100% European-made. In short, eco-responsibility combined with elegance at affordable prices. Sizable is tomorrow’s fashion today.
Since the appointment of Glenn Martens as Creative Director of Y/Project in 2013, the Paris based label has combined conceptual and inventive detailing with playful proportions and a witty take on historical references.
At the core of Y/Project, Martens has since established an emphasis on individuality and independence. Fusing the energy of the street with thought-provoking silhouettes, his unique take on interpreting masculinity and femininity blends eccentric references with unisex looks that transcend versatility.
In June 2017, Y/Project won the esteemed ANDAM Grand Prize, one of the most respected recognitions in fashion worldwide. And in September 2017, Glenn Martens was selected as one of the Business of Fashion’s 500 people shaping fashion globally today.
Martens’ contemporary expression has created a fascinating narrative for the brand, leading to an impressive period of growth earning both critical acclaim and commercial success. Y/Project has solidified its position within the luxury market with over 150 stockists.
Stephan Schneider
Stephan SchneiderReynderstraat 53 Antwerpen 2000 Belgium
We build your wardrobe in tune with your needs
Ruben Opheide en Koen Van Weverberg richtten in 2018 het made-to-measure merk SCHAAP op. Hun kijk op maatwerk voor de modern gentlemen ging meteen van bij de start verder dan het klassieke kostuum op maat:
“Het comfort van een pasvorm die als gegoten zit is onevenaarbaar, en niet enkel voor een maatpak. Wij bieden een volledige made-to-measure garderobe: van tailored blazers, hemden en broeken tot Japanese denim en cashmere truien,”vertelt Koen Van Weverberg.
Purchasing quantity is an expense, purchasing quality is an investment
We stellen hoge kwaliteitseisen, zowel op vlak van materialen en leveranciers als de partners die jouw SCHAAP kledingstuk met precisie vervaardigen.
We selecteren alle stoffen en details zelf en gaan hierbij op zoek naar een grote diversiteit in stijlen zodat jij jouw unieke identiteit kan creëren. SCHAAP heeft net hierdoor als Belgisch merk toch een Europees karakter boordevol internationale inspiratie.
A personal service tailored to your needs
Een personal fitting in onze showrooms in Antwerpen of Gent, of op een plek die voor jou het beste past: wij bieden jou waar dan ook onze persoonlijke service. We nemen graag de tijd om te luisteren naar jouw wensen en werken daarom enkel op afspraak.
Ben je op zoek naar een trouwkostuum of een kostuum op maat voor een speciale gelegenheid? Wil je een tijdloze en verfijnde classic of mag je volgende maatpak of kledingstuk extra uitstraling hebben? Samen selecteren we de fijnste stoffen en afwerkingen.
Koen Van Weverberg: “Door te investeren in made-to-measure kledij creëer je als man een unieke garderobe die perfect aansluit bij jou als persoon en waar je je goed in voelt.”
Amerikalei 161 Antwerpen 2000 Belgium
Zombeekstraat 23 Gent 9031 Belgium
Jan-Jan van Essche
Jan-Jan van EsscheAS FOR MANY OTHERS, THE HUMAN COLLECTIVE CULTURE REMAINS AN ENDLESS INSPIRATION FOR JAN-JAN VAN ESSCHE TO CREATE NEW GARMENTS, EACH NEW DESIGN A GENUINE ATTEMPT TO OPEN UP NEW PERSPECTIVES AND TO PUSH CONFLICTING DIALOGUES FORWARD.
WITH EVERY SERIES OF GARMENTS, TRADITIONAL PATTERNS FROM DIFFERENT ETHNO-CULTURAL ORIGINS ARE CAUTIOUSLY STUDIED AND SUBSEQUENTLY INTERPRETED IN THE DESIGNER’S INDIVIDUAL PATTERN LANGUAGE; ONE SPEAKING THE POETRY OF SIMPLICITY.
JAN-JAN VAN ESSCHE MOSTLY OPTS TO REMOVE ALL POSSIBLE SEAMS AND MINIMALIZING DETAILS AND CULTURAL CONNOTATION, WHILE MAXIMIZING COMFORT FOR THE WEARER AND THEREFORE PROPOSING AN EXPERIENCE THAT WORKS FROM THE WITHIN.
UNLIKE CLASSIC WESTERN APPROACH TO CONFINE AND SHAPE THE BODY, JAN-JAN PROVIDES THE BODY THE LUXURY AND FREEDOM TO SHAPE THE GARMENT.
HIS SINCERE AND DISCRETE DESIGNS ARE EXECUTED IN CAREFULLY SOURCED, REFINED QUALITY FABRICS OF NATURAL FIBERS, ALL CONTRIBUTING ELEMENTS INDUCING ONES AWARENESS AND STATE OF MIND.
CONTRIBUTING TO THIS STORY OF MINIMIZING ANECDOTIC CONNOTATIONS SOME FABRICS REMAIN UN-DYED OR EVEN LOOM STATE, THE COLOURS ARE RATHER TO THE MUTED PALETTE AND THE BLACK COLOUR WITH ITS ENDLESS SHADES IS ALWAYS PRESENT TO RIGOROUSLY ACCENTUATE THE SILHOUETTES.
JAN-JAN VAN ESSCHE CONTINUOUSLY AIMS TO DEVELOP NEW INSIGHTS ON CONTEMPORARY YET EFFORTLESS AND GENDERLESS ELEGANCE.
HIS PIECES ARE LAYERED WITH SUBTLETY, INTEGRATED INTO MODERN-DAY CITY LIFE AND INTO PERSONAL WARDROBES, SLOWLY AND CAREFULLY PLAYING THEIR HUMBLE ROLE IN FINDING CONNECTION AND ACCEPTANCE.
THEY SEE NO BOUNDARIES, NO LIMITATIONS, NO RESTRICTIONS NO EXCLUSIONS.
THE CONVENTIONAL SILHOUETTE IS AMPLIFIED AND EACH INDIVIDUAL GARMENT LITERALLY LEAVES ROOM FOR INTERPRETATION, ENGENDERING OPENNESS.
THE WEARER OF JAN-JAN VAN ESSCHE IS A GENTLE SOUL IN CONSTANT DIALOGUE WITH ONE’S PERSONAL CONTEXT AS WELL AS WITH THE WORLD AS A WHOLE.
LIKE THE GARMENTS THE WEARER IS HUMBLE AND IS UNRESTRAINED.
JAN-JAN VAN ESSCHE IS BORN IN ANTWERP, BELGIUM, WHERE HE HAS HIS DESIGN STUDIO. HE’S A 2003 GRADUATE OF THE ANTWERP ROYAL ACADEMY OF FINE ARTS.
IN JUNE 2010 JAN-JAN VAN ESSCHE LAUNCHED HIS FIRST EPONYMOUS LABEL AS AN ANNUAL WARDROBE. COLLECTION#1 – ‘YUKKURI’, JAPANESE FOR ‘TAKE IT EASY’ OR ‘SLOWLY’.
THIS TITLE ALSO BECAME HIS INTRINSIC AND CONCEPTUAL APPROACH TO CONTEMPORARY WARDROBES AS A DESIGNER.
- COLLECTION#2 – SATTA AMASSAGANA (JUNE 2011)
- COLLECTION#3 – IN AWE (JUNE 2012)
- COLLECTION#4 — UHURU SASA (JUNE 2013)
- COLLECTION#5 — INITE (JUNE 2014)
- COLLECTION#6 — NO MAN IS AN ISLAND (JUNE 2015)
- COLLECTION#7 — AWARE (JUNE 2016)
- COLLECTION#8 — 無 (MU) (JUNE 2017)
- COLLECTION#9 — ONE IN ALL AND ALL IN ONE (JUNE 2018)
- COLLECTION#10 — CODA (JUNE 2019)
- COLLECTION#11 — GRACE (JULY 2020)
- COLLECTION#12 — CYCLE (JUNE 2021)
THE ANNUAL WARDROBES RECEIVED A COUNTERPART IN 2013 WHEN, DUE TO THE WELL RECEIVED PREVIOUS COLLECTIONS, THE DESIGNER DECIDED TO ADD THE PROJECTS, AUTONOMOUS SERIES OF GARMENTS DESIGNED AND DEVELOPED ACCORDING TO SPECIFIC CRAFTS OR INSPIRATIONS, TAKING THE NECESSARY TIME TO CULTIVATE IDEAS AND UNDERGOING THE SLOW RHYTHM AND PACE OF THE HAND.
THE CREATIVE FREEDOM IS PRESERVED AND IDEAS ARE ENABLED TO FLOURISH.
- PROJECT#1 – PROCEED (JANUARY 2013) — RESEARCH ON PATCHWORK
- PROJECT#2 — REDEEM (JANUARY 2014) &MASH; RESEARCH ON SAKIORI WEAVING
- PROJECT#3 — WADADA (JANUARY 2015) — RESEARCH ON ROPE WEAVING
- PROJECT#4 — EACH ONE TEACH ONE (JANUARY 2016) — RESEARCH ON BORO APPLICATIONS
- PROJECT#5 — ARISE (JANUARY 2017) — PATTERN RESEARCH INSPIRED BY THE KESA GARMENT
- PROJECT#6 — ONE STONE (JANUARY 2018) — PATTERN RESEARCH INSPIRED BY THE AINU KIMONO
- PROJECT#7 — SOLACE (JANUARY 2019) — EMPHASIS ON USE OF FABRICS
- PROJECT#8 — REMEMBRANCE (JANUARY 2020) — RESEARCH ON PADDED GARMENTS & SAKIORI WEAVING
- PROJECT#9 — SUNU (FEBRUARY 2021) — RESEARCH ON PADDED GARMENTS & HAND WOVEN GARMENTS
WADADA BVBA NACHTEGAALSTRAAT 27 ANTWERPEN 2060 BELGIUM
MEET THE FOUNDER
WHO IS HIDING BEHIND THE PROJECT 1971?
This high-quality Belgian fashion brand was founded by current Creative Director Christelle Loozen.
With over twenty years’ experience as a freelance denim product developer for both national and international brands and designers, Christelle is now ready to take up her own challenge through her brand 1971, offering an exclusively-designed original, high-quality and ethical product, one that is as original as it is a ‘revival’.
‘I’m passionate about fashion and I always have been. Through 1971, I am offering clothes inspired by my childhood memories, my experience of motor sports, and my unconditional love for denim.
My clothes are designed to fit most people, providing a casual yet trendy touch. With my many years of experience, I have been able to source the best sustainable yarns and fabrics from across Europe.
I’ve made the decision to work with the same European suppliers I have already worked with over the last 15 years. We share the same goals and overall vision, leaving no room for compromise when it comes to product quality, environmental impact, and the provision of good working conditions for our employees.’
We choose only the finest materials and best factories to make our timeless products, with the hope that they will last you many years, even decades.
Our prices are calculated as precisely as possible, while our partners, from workers to stores, are paid the right amount, with each and every possible cent reinvested into the local economy of each country.
We believe in a fair economy that works for the everyday.
Gerard-Sart 1 Dalhem 4606 Belgium