Howlin’
Howlin’
ABOUT
We are an Antwerp based knitwear brand.
Since 1981 we have been producing quality knitwear in Scotland and in 2009 we launched our new label Howlin’ (scottish slang for smelly). The way of manufacturing remains traditional but Howlin’ offers more room for fantasy in shape and pattern.
At Howlin’ we strive for timeless, playful products that are made with care. So whether it is a scarf or a shaggy waistcoat; all our products are individually manufactured and hand finished by traditionally skilled craftsmen in either Scotland, Ireland or Belgium using the highest quality yarns possible.
Small is beautiful.
MADE IN SCOTLAND
Scotland has a long history of producing the best knitwear in the world and we are happy to be involved in it for over 30 years.
Since the start of Howlin’ our goal was to bring a fresh somewhat twisted approach to Scottish knitwear while respecting its rich heritage. Keeping the best of the old techniques and mix it with new technology, patterns, colors and ideas.
In an ever faster and more automated economy we are happy to slow things down and have our focus on well made products. It’s a niche, we know, but we like niche products, a lot. Just like a small record label doing hand stamped 7 inches with personal liner notes. It’s the beauty in the details.
Each Howlin’ garment is handled individually and tenderly, throughout its entire production, from the first precise stitch to the delicate pressing and folding.
All our yarns are carefully sourced according to their quality and sustainability standards. Our beloved planet earth has a special place in our heart and we think it’s the best planet out there (as far as we know) so we want to have the lowest impact on it as possible.
Our natural yarns come from local mills, some even complete all the stages of yarn production under one roof. This includes grading, scouring and dyeing fleece before colour blending, carding, spinning, twisting and balling to produce this unique 100% pure Shetland yarn.
A quality which is often imitated but never duplicated.
MADE IN IRELAND
Over the years we have been working closely with a small Irish family run company established centuries ago.
Together with these master crafts people we produce the highest quality knitwear with local Irish yarns.
We have to admit, at first we got strange looks when we came up with our ideas but that changed over the years, now it’s simply that classic smile when they see a new Howlin’ design.
We are very happy to contribute to this unique art and craft which is not only beautiful but also important culturally to remain alive.
Producing in Ireland (and Scotland, and Belgium) not only means you have a truly unique product in your hand, it also means that the people making your goods are well paid and looked after.
MADE IN BELGIUM
Next to our Scottish and Irish knitwear we are happy to create products in our home country Belgium.
Together with several small factories in Belgium, each carefully chosen for their own speciality, we managed to make a diverse range of products which include lighter weight knitwear, jersey and towel fabric garments.
Our goal was to create durable, functional and original products which far outlives seasonal trends.
All pieces are produced in small batches and with close attention to details.
Extra special is the fact that for our jersey we don’t import fabrics but that we knit everything entirely in-house.
Therefore we can proudly say that all our Howlin’ products are truly 100% produced in Belgium.
Nationalestraat 20 Antwerpen 2000 Belgium
Kopstraatje 3 2000 Antwerp Belgium
One of the 2010 alumni of the Antwerp Academy, fashion designer Cedric Jacquemyn has developed his darkly romantic menswear aesthetic into a ready-to-wear business. Cedric’s work is defined by a sensitive touch – sculpting natural fibres into slim, flowing garments imbued with historical, ethnic and mythical significance.
Cedric carries on a continuing artistic dialogue with the photographer Yves de Brabander, who’s lens captures the brand’s visual identity in arresting natural and manmade landscapes…
Showing off his skills as a sartorial tailor, Cedric Jacquemyn’s collection starts at the root of cloth and construction; by taking perfect cuts with great fabrics and combining these into meticulous fits.
Rites of passage references are seen through the evolutionary nature of some of the styles. Long, architectural silhouettes are a dominant force and are paired with leather boots. Each layer is pulled back and provides the eye to view something new and interesting. It is the beautiful and delicate balance of knitwear and leather that makes Jacquemyn’s collection shine.
ATELIER Cedric Jacquemyn Gijzelaarsstraat 29 Antwerpen 2000 Belgium
BE. by Emilie Beaumont
BE. by Emilie BeaumontGRADUATED IN FASHION DESIGN AT THE BRUSSELS SCHOOL OF “LA CAMBRE” IN 2007, EMILIE BEAUMONT HAS GAINED A LOT OF VISIBILITY OVER THE YEARS.
AFTER BEING THE FINAL CONTENDERS AT THE BRUSSELS “FASHION WEEKEND” IN 2006, SHE WAS ALSO RETAINED AMONG THE TEN FINALISTS AT THE WELL KNOWN FASHION FESTIVAL AT HYÈRES (FRANCE) IN 2007. IT WAS AT THIS FESTIVAL THAT SHE WAS SPOTTED BY CHRISTIAN LACROIX, PRESIDENT OF THE JURY, WHO EXPRESSED HIS PARTICULAR INTEREST IN HER COLLECTIONS DURING AN INTERVIEW ON FRANCE 3 TELEVISION.
EMILIE BEAUMONT STARTED HER PROFESSIONAL CAREER THROUGH VARIOUS EXPERIENCES AT FASHION HOUSES SPECIALIZED IN PRÊT-A-PORTER AND LUXURY PRODUCTS. SHE FOLLOWED TRAININGS AT VERONIQUE BRANQHINO’S IN ANTWERP, AT LOEWE’S IN MADRID AND WITH THE FAMOUS ALEXANDER MCQUEEN IN LONDON.
HER PROJECTS AND UNDERTAKINGS IN THE WORLD OF FASHION HAVE BEEN AS VARIED AS PLENTIFUL: A “LIVE” DRAWING OF A SILHOUETTE AT THE 2008 INAUGURATION OF BIP (BRUSSELS INFO PLACE), PRESENTING HER COLLECTION AT THE “BREAD AND BUTTER” FAIR IN JANUARY 2008 AND A NOTABLE PARTICIPATION AT THE “SECOND HAND, SECOND LIFE” FASHION SHOW, A CHARITY EVENT IN OCTOBER 2008 DURING WHICH HER REMARKABLE PIECES WERE AUCTIONED OFF.
VARIOUS PUBLICATIONS IN BELGIUM, FRANCE AND ITALY WERE DEVOTED TO HER, REFERENCING HER RICH AND VARIED CAREER SO FAR.
EMILIE BEAUMONT HAS RECENTLY LAUNCHED HER PERSONAL COLLECTION “B.E. BY EMILIE BEAUMONT” OF WHICH SHE PRESENTED HER FIRST COLLECTION FOR MEN “B.E. MEN SUMMER 2011” AT THE “BRUSSELS MODO FESTIVAL” IN OCTOBER 2010.
THROUGHOUT HER DESIGNS OF WOMEN’S CLOTHING, SHE HAS FOUND INSPIRATION IN MEN’S FASHION. DESIGNING MEN’S CLOTHING HAS BEEN THE LOGICAL NEXT STEP FOR EMILIE BEAUMONT.
DESIGNING AND MANUFACTURING IN BELGIUM, EMILIE BEAUMONT DEVELOPS HER COLLECTIONS INCLUDING GARMENTS AND ACCESSORIES SUCH AS A SERIES OF SCREENPRINTED LEATHER BAGS IN LIMITED QUANTITIES.
KEEP A CLOSE EYE ON THIS PROMISING FASHION DESIGNER.
Work philosophy
After studies in graphic art, I graduated in fashion design from the Francisco Ferrer School (Brussels). I then completed my knowledge within the Federation of Master-tailors of France (Paris). Since 2014, I have been increasing my professional experiences, in Belgium or internationally, with big names like Scabal, Natan or on a personal basis in my own workshop.
Passion in the blood
My grandmother was a seamstress and in a sewing workshop; my mother was a sewing teacher for 25 years. My interest in the profession of tailor came later. It was the artisan side that attracted me then. It’s a rope that I have added to the family tradition. The specificities of his work Both an artisanal tailor and a trained stylist, I strive to blend harmoniously the traditional work of the artisan tailor with current sewing techniques.
Rue de la Ferme Romaine 11 Andenne 5300 Belgium
About
1961: Birth
The story begins in a little village in south eastern Turkey. We are Sunday, it is October 29, 1961, Manufer Gulcu was born. Coming from a modest family, his father is farrier and his mother is housewife. In 1966, the family leaves the village to settle in the city, where his father opens his own workshop and reconverts into the manufacturing of horse saddles. During his early childhood, Manufer goes to school while working in his father’s workshop, where he gets familiar with a craftsmanship profession.
1972: Arrival in Istanbul
In 1972, Manufer Gulcu arrived with his family in Istanbul. The city is large and living conditions difficult, forcing Manufer to quit school at the age of 11 to find work. After accumulating odd jobs, Manufer found an apprentice position in a workshop located in the Beyazit district of Istanbul and discovered the profession of sewing there. Skillful with his hands, he quickly learns and develops technical skills. Very early on, working with leather and natural materials fascinates and ambitions him.
1978: Opening of his first workshop
In 1978, when he was only 17 years old, Manufer becomes an experienced couturier, the most respected position in the profession. His boss then offered him to take over the management of the workshop. He will accept the proposal and team up with his best friend to lead a team of eight workers. At a time considered to be the beginnings of the golden age of leather, Manufer saw its activity grow steadily.
1981: Arrival in Belgium
In 1981, in a tumultuous socio-economic context, Manufer decided to leave Istanbul for Europe, where everything had to be rebuilt. He will work for 3 years in different sewing workshops until the opening of his own workshop, which will later allow him to meet his wife. At that time, the importance of leather and shearling in the world of ready-to-wear was at its peak.
1987: The workshop burns down
On November 12, 1987, the building where the workshop is located burned down. Once again, everything has to be rebuilt. The accident prompted Manufer to renovate the Maison de Maître in Brussels located at 138 Avenue du Roi. He set up his workshops there, which he named MANUFERO, as a tribute to his origins. There he will develop his activities of creation, sales to professionals and individuals. He will also put his couturier know-how at the service of other designers, and will collaborate with prestigious houses such as Natan, Yves Saint-Laurent, Kris Van Assche and Jean-Paul Knot.
1992: 29thOctober is born
In his spirit of creation, Manufer Gulcu decides to put a name on his collections. In 1992, he created his brand, 29THOCTOBER, referring to a triple symbolic date for him and his family.
1999: Marie-Claire France
In 1999, the 29THOCTOBER brand obtained its first publication in a renowned magazine, Marie-Claire France.
2004: Paris international fair
In 2004, the 29THOCTOBER brand was present for the first time at the international ready-to-wear fair in Paris. This event will open the doors of French boutiques to the Maison and give it its European dimension.
2012: MIEL Catwalk
In 2012, the Maison took part in its very first fashion show, the MIEL Catwalk, and presented a preview of its winter 2013-2014 collection.
2018: The team is growing
In 2018, the 29THOCTOBER team is growing and becomes more than ever a family house. Benjamin and Lucie, Manufer’s children, join the company and give it a digital dimension by creating the online store.
2020: The range is growing
The brand takes precedence over innovation and diversification. More than ever willing to perpetuate its craftsmanship and put its know-how at the service of innovative and committed fashion, 29THOCTOBER is launching its first capsule collection in vegetable leather. On the occasion of its birthday, October 29, 2020, the brand unveils its bag line.
Avenue du Roi 138 Brussels 1190 Belgium
Rue Joseph Stevens 41 Brussels 1000 Belgium
Stephan Schneider
Stephan SchneiderReynderstraat 53 Antwerpen 2000 Belgium
Jan-Jan van Essche
Jan-Jan van EsscheAS FOR MANY OTHERS, THE HUMAN COLLECTIVE CULTURE REMAINS AN ENDLESS INSPIRATION FOR JAN-JAN VAN ESSCHE TO CREATE NEW GARMENTS, EACH NEW DESIGN A GENUINE ATTEMPT TO OPEN UP NEW PERSPECTIVES AND TO PUSH CONFLICTING DIALOGUES FORWARD.
WITH EVERY SERIES OF GARMENTS, TRADITIONAL PATTERNS FROM DIFFERENT ETHNO-CULTURAL ORIGINS ARE CAUTIOUSLY STUDIED AND SUBSEQUENTLY INTERPRETED IN THE DESIGNER’S INDIVIDUAL PATTERN LANGUAGE; ONE SPEAKING THE POETRY OF SIMPLICITY.
JAN-JAN VAN ESSCHE MOSTLY OPTS TO REMOVE ALL POSSIBLE SEAMS AND MINIMALIZING DETAILS AND CULTURAL CONNOTATION, WHILE MAXIMIZING COMFORT FOR THE WEARER AND THEREFORE PROPOSING AN EXPERIENCE THAT WORKS FROM THE WITHIN.
UNLIKE CLASSIC WESTERN APPROACH TO CONFINE AND SHAPE THE BODY, JAN-JAN PROVIDES THE BODY THE LUXURY AND FREEDOM TO SHAPE THE GARMENT.
HIS SINCERE AND DISCRETE DESIGNS ARE EXECUTED IN CAREFULLY SOURCED, REFINED QUALITY FABRICS OF NATURAL FIBERS, ALL CONTRIBUTING ELEMENTS INDUCING ONES AWARENESS AND STATE OF MIND.
CONTRIBUTING TO THIS STORY OF MINIMIZING ANECDOTIC CONNOTATIONS SOME FABRICS REMAIN UN-DYED OR EVEN LOOM STATE, THE COLOURS ARE RATHER TO THE MUTED PALETTE AND THE BLACK COLOUR WITH ITS ENDLESS SHADES IS ALWAYS PRESENT TO RIGOROUSLY ACCENTUATE THE SILHOUETTES.
JAN-JAN VAN ESSCHE CONTINUOUSLY AIMS TO DEVELOP NEW INSIGHTS ON CONTEMPORARY YET EFFORTLESS AND GENDERLESS ELEGANCE.
HIS PIECES ARE LAYERED WITH SUBTLETY, INTEGRATED INTO MODERN-DAY CITY LIFE AND INTO PERSONAL WARDROBES, SLOWLY AND CAREFULLY PLAYING THEIR HUMBLE ROLE IN FINDING CONNECTION AND ACCEPTANCE.
THEY SEE NO BOUNDARIES, NO LIMITATIONS, NO RESTRICTIONS NO EXCLUSIONS.
THE CONVENTIONAL SILHOUETTE IS AMPLIFIED AND EACH INDIVIDUAL GARMENT LITERALLY LEAVES ROOM FOR INTERPRETATION, ENGENDERING OPENNESS.
THE WEARER OF JAN-JAN VAN ESSCHE IS A GENTLE SOUL IN CONSTANT DIALOGUE WITH ONE’S PERSONAL CONTEXT AS WELL AS WITH THE WORLD AS A WHOLE.
LIKE THE GARMENTS THE WEARER IS HUMBLE AND IS UNRESTRAINED.
JAN-JAN VAN ESSCHE IS BORN IN ANTWERP, BELGIUM, WHERE HE HAS HIS DESIGN STUDIO. HE’S A 2003 GRADUATE OF THE ANTWERP ROYAL ACADEMY OF FINE ARTS.
IN JUNE 2010 JAN-JAN VAN ESSCHE LAUNCHED HIS FIRST EPONYMOUS LABEL AS AN ANNUAL WARDROBE. COLLECTION#1 – ‘YUKKURI’, JAPANESE FOR ‘TAKE IT EASY’ OR ‘SLOWLY’.
THIS TITLE ALSO BECAME HIS INTRINSIC AND CONCEPTUAL APPROACH TO CONTEMPORARY WARDROBES AS A DESIGNER.
- COLLECTION#2 – SATTA AMASSAGANA (JUNE 2011)
- COLLECTION#3 – IN AWE (JUNE 2012)
- COLLECTION#4 — UHURU SASA (JUNE 2013)
- COLLECTION#5 — INITE (JUNE 2014)
- COLLECTION#6 — NO MAN IS AN ISLAND (JUNE 2015)
- COLLECTION#7 — AWARE (JUNE 2016)
- COLLECTION#8 — 無 (MU) (JUNE 2017)
- COLLECTION#9 — ONE IN ALL AND ALL IN ONE (JUNE 2018)
- COLLECTION#10 — CODA (JUNE 2019)
- COLLECTION#11 — GRACE (JULY 2020)
- COLLECTION#12 — CYCLE (JUNE 2021)
THE ANNUAL WARDROBES RECEIVED A COUNTERPART IN 2013 WHEN, DUE TO THE WELL RECEIVED PREVIOUS COLLECTIONS, THE DESIGNER DECIDED TO ADD THE PROJECTS, AUTONOMOUS SERIES OF GARMENTS DESIGNED AND DEVELOPED ACCORDING TO SPECIFIC CRAFTS OR INSPIRATIONS, TAKING THE NECESSARY TIME TO CULTIVATE IDEAS AND UNDERGOING THE SLOW RHYTHM AND PACE OF THE HAND.
THE CREATIVE FREEDOM IS PRESERVED AND IDEAS ARE ENABLED TO FLOURISH.
- PROJECT#1 – PROCEED (JANUARY 2013) — RESEARCH ON PATCHWORK
- PROJECT#2 — REDEEM (JANUARY 2014) &MASH; RESEARCH ON SAKIORI WEAVING
- PROJECT#3 — WADADA (JANUARY 2015) — RESEARCH ON ROPE WEAVING
- PROJECT#4 — EACH ONE TEACH ONE (JANUARY 2016) — RESEARCH ON BORO APPLICATIONS
- PROJECT#5 — ARISE (JANUARY 2017) — PATTERN RESEARCH INSPIRED BY THE KESA GARMENT
- PROJECT#6 — ONE STONE (JANUARY 2018) — PATTERN RESEARCH INSPIRED BY THE AINU KIMONO
- PROJECT#7 — SOLACE (JANUARY 2019) — EMPHASIS ON USE OF FABRICS
- PROJECT#8 — REMEMBRANCE (JANUARY 2020) — RESEARCH ON PADDED GARMENTS & SAKIORI WEAVING
- PROJECT#9 — SUNU (FEBRUARY 2021) — RESEARCH ON PADDED GARMENTS & HAND WOVEN GARMENTS
WADADA BVBA NACHTEGAALSTRAAT 27 ANTWERPEN 2060 BELGIUM
Very Important Pixels is a fresh brand that features iconic pixel portraits on fashionable tops and sweaters. Inspired by 80s video games, Belgian designer Kristof Saelen has developed an original and unique style in which he handcrafts his works pixel by pixel
Very Important Pixels™ is a series of illustrations inspired by icons from the past and present. Each pixel portrait has been manually crafted starting from a blank canvas.
A selected collection of works was featured on apparel and other fashionable merchandise and got picked up by world-renowned boutiques such as Kitson (LA), Patricia Field (NYC), Colette (Paris), Spectrum (Milan), Venturer (Tokyo) and many more. Online prominent mentions and interviews include features on Wired, El País (Spain), My Modern Met and numerous blogs and papers. T-shirts and merch are still available online.
Visit our Rarible collection to find limited edition collectibles, hosted on the Ethereum blockchain in the form of non-fungible tokens (NFTs). Each purchased artwork automatically registers the buyer as a certified owner and unlocks secret features such as exclusive access to source files and unpublished artwork versions.
ABOUT CESAR
In addition to being a model, food lover, traveler and proud author of my two cookbooks Model Kitchen and Cesar’s Kitchen and the travel guide Trippin, I have launched the Cesar Casier Knitwear Collection. While growing up, I was always surrounded by fashion. My mom owns a high-end fashion boutique “OONA” in Ghent and my stepmom is a fashion designer. They were my biggest influencers and shaped my views on fashion while growing up, the logical next step was to start my own collection.
100% MADE IN BELGIUM.
KNITWEAR COLLECTION
The Cesar Casier Knitwear Collection is 100% made in Belgium, something that is very rare nowadays. Everything I design is produced in a small family owned factory located in Sint-Niklaas, a city between Antwerp and my hometown Ghent. Fact is that back in the days there were about 300 factories located in this area and now there are only two left, a sad reality. Therefore, it is important to support the revival of Belgian knitwear as much as possible!
GENDER NEUTRAL FASHION
Next to my roots, my brand represents Gender Equality. A human right I hold dear and it is something I stand for. I translate this into my designs, as they are mostly unisex. I want my brand to lead the way in gender-neutral fashion. In my opinion, gender no longer dictates the way people dress and it does not force anyone into a box. That is why I try to design as much gender neutral pieces as possible, this allows us to express ourselves exactly the way we all want to. My designs are timeless, comfortable and basic, yet fashionable and with an eye for detail and great quality
CHARITY
I’ve always loved nature and even more, the animals who live in it. That’s why, for every sold item on my website, I’ll donate 1 euro to a charity. For my previous collection I’ve donated money to help save the dolphins, The Great Barrier Reef and the Giraffes in the wild. By donating money to a good cause, I want to send awareness to the public about the beauty of nature and to support animal and nature welfare!
Hubert Frere Orbanlaan 629 Ghent 9000 Belgium
Christian Wijnants
Christian WijnantsChristian Wijnants is an Antwerp-based fashion designer.
Born in Brussels, Christian moved to Antwerp in 1996 to study fashion design at the Royal Academy of Fine Arts. His graduate collection won the Dries Van Noten Award for best collection in 2000. After graduation, Christian presented his collection at the prestigious Festival d’Hyères, where it was awarded the Grand Prix and picked up by stores including Colette (Paris), Pineal Eye (London), and Via Bus Stop (Tokyo). After working with Van Noten in Antwerp and Angelo Tarlazzi in Paris, Christian launched his eponymous label in 2003.
Christian Wijnants presents his collections in Paris during Paris Fashion Week and is sold at boutiques and department stores worldwide including Barneys, Tomorrowland and Opening Ceremony.
Rich, layered graphics and fresh colors translated into eloquent knitwear offer a play of authenticity and luxury that has won him the 2013 International Woolmark Prize, the 2006 ANDAM Award, and the 2005 Swiss Textiles Award. Christian Wijnants is in collaboration with Swarovski for Spring-Summer 2016 and Autumn- Winter 2016 and has been nominated for Swarovski Collective Prize for Innovation.
Wijnants opened his first flagship store in Antwerp in September 2015.
HEAD OFFICE 215 Italiëlei bus 21 Antwerpen 2000 Belgium
36 Steenhouwersvest Antwerp 2000 Belgium