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A TALE OF BEAUTY AND BELIEF
Laar 29 Aartselaar 2630 Belgium
Christine Keyeux
Christine KeyeuxMore Info
Christine KEYEUX -SCHNÖLLER
Plasticienne
Créatrice de la collection 100% Bijoux de 100% Mamans
Exposition collectives et individuelles en Belgique, France, Espagne, Hollande, Allemagne, Pologne, Portugal, Italie, Slovaquie, Tchéquie, Hongrie, Autriche, Maroc, USA, Japon, Chine, Inde, Suisse, Canada.
2017
«Finesse, sobriété…» Galerie Ickx, Bruxelles, Belgique
«Curiosity» Salon des Métiers d‘Art, Saint Hubert, Belgique
«Journées Européennes des Métiers d’Art» Les Bateliers, Namur, Belgique
«Avoir la fibre» Musée de Comblain-au-pont, Belgique
«Art textile» Veere, Hollande
Galerie for Textil Institut Hawar, Holland
2016
«A tous les étages» WCC bf, Mons, Belgique
«Musée Lanchevelichi, La Louvière, Belgique
«Toutes les couleurs, Galerie ICKX ,Bruxelles
«Chambres avec vue, Namur, Belgique
«Journée Européenne des Métiers d’Art, Namur, Belgique
«100%Mamans» 10 ans déjà , Palais des Institutions Italienne, Tanger, Maroc
«Et si on exposait …» Galerie ICKX, Bruxelles
«Parcours Papier Musée Archéologique, Namur
«Chez moi comme chez toi» citoyens solidaires, Inno, Namur, Belgique
2015
«l’inconnue sous ma peau», installation salon du livre de Tanger, 100%Mamans, Tanger, Maroc
«Memory of textil» Galerie of visual artist», Prague, Slovaquie
«Alternative of textile jewelry, galerie X, Bratislava, Slovaquie
«Parcours d‘ artistes de Beloeil», Beloeil , Belgique
«Tirage à l’appui» WCC bf, Mons, Belgique
«Wiener Schmuck», Galerie V&V ,Vienne, Autriche
2014
«Chambres avec vues» parcours d’artistes, Namur, Belgique
«L’art au Village» parcours d’artistes Glabais, Belgique
«Métamorphose» Installation femmes papillons, 100% Mamans, Tanger, Maroc
«éclatement» espace Wallonie Bruxelles, Belgique
Salon des Métiers d’Art, St Martin, Belgique
«Rames et trames» Biennale Brabant Wallon, fondation Folon, Belgique
«Résonnance» WCC-bf, Strasbourg, France
«Emballé-déballé» ISELP, Bruxelles, Belgique
2013
«Lignes de vie» installation 100%Mamans, salon du livre de Tanger, Maroc
«Croisements» Institut Français d’Oujda, Maroc
Salon des Métiers d’Arts, Maison de la culture, Namur, Belgique
Festival des Arts Plastiques» Nord-Sud» Tanger, Maroc
«Pas de deux» Karlruhe , Allemagne
«Regard sur le papier» La Spirale, Natoye, Belgique
«Eglise St. Etienne» Beaugency , France
2012
«Chambres avec vues» parcours d’artistes Namur , Belgique
«Banality and Grace , Galerie X, University library of Bratislava, Slovaquie
«Fusion» musée de Groosbeeck de Croix,Namur, Belgique
«Pop art» atelier et exposition 100% mamans, musée de la Casbah,
Tanger,Maroc
«Art en automne» Bijoux d’Artistes, Ijzerenberg,Winksele,Belgique
«Couleurs Mères» exposition et vente aux enchères 100% Mamans,
Galerie Dard‘ Art, Tanger , Maroc
«Jewelbook international» exposition WCC-BF, Mons, Belgique
2011
„Abhushan» design dialogues in jewelry WCC international, New Dehli, Inde
«Fusion» Pôle Bijou Baccarat, France
«Terre et Feu» parcours d’artistes Liernu, Eghezée, Belgique
«Festival des arts Plastiques» atelier» oiseaux», Tanger, Maroc
«S’il te plaît , fais moi un oiseau» 100%Mamans, installation
au musée de la Casbah et à la galerie Drissi, Tanger, Maroc
«17ème salon des Métiers d’Arts, St Hubert, Belgique
«Regards sur le papier» Centre Culturel de Ciney, Belgique
«Art Forum» Anvertpen, Belgique
2010
«Autour du papier» Musée du petit format, Nismes, Belgique
«ARPA» Les nuits d’encre, Centre Culturel d’Ottignies/LLN,Belgique
«Parcours d’artistes au pays des Vallées» Centre Culturel de Dinant,Belgique
«Chambres avec vues, Parcours d’artistes» Namur,Belgique
«Paper Object» Galerie X, Bratislava, Slovaquie
«Poupées de Roseau» ,100% mamans, Galerie Dard’Art, Tanger, Maroc
«Eventails» Galerie Volubilis, Tanger, Maroc
«Métamorphose(s)» Biennale Internationale du Design de Liege 2010,
Emulation, Maison de la Renaissance, Liège, Belgique
«La Baraque» Louvain La Neuve, Belgique
2009
«Bijoux Contemporains en Communauté Française, Foire de Munich ,Allemagne
«Regards sur le papier» Centre Culturel de Dinant, Belgique
«Textil Jewellery» Galerie X, Bratislava, Slovaquie
«25th Textil Art», Graz, Autriche
«Alternative of textile jewellery » galerie V&V, Vienne, Autriche
«Le Design s’exporte » WCC-BF, Mons, Belgique
Galerie Indigo, Damme, Belgique
«Tanger Label » Galerie Volubilis, Tanger, Maroc
Festival des Arts Plastiques, Galerie Delacroix, Tanger,Maroc
«15ème Salon des Métiers d’Art» Beauvechain, Belgique
2008
«Autour du papier» Galerie du Beffroi, Namur, Belgique
«Bijoux Contemporains en Communauté Française, Foire de Munich, Allemagne
«Le lacet bleu» Handicap international, Bruxelles, Belgique
«Triennale Européenne du Bijou Contemporain, Mons, Belgique
«Qui fait quoi» WCC-BF, Mons , Belgique
«Le Bijou Contemporain» Centre Culturel de Ciney, Belgique
«Mini-textile biennale» Wasserschloss, Allemagne
100% Bijoux / 100% Mamans,Tanger, Maroc
2007
«Bijoux d’Artistes en Communauté Française» Foire de Munich, Munich
Allemagne.
«Arts appliqués, design et compagnie» WCC-BF, Mons, Belgique.
«Artifac» Bruges, Belgique.
«Toutes les couleurs» Installation avec les enfants et les femmes de la fondation
Darna, Tanger, Maroc. http://tangier.free.fr
«Ibn Battouta» exposition des quatre fresques au musée de la Casbah, Tanger,
Maroc
«145 artistes exposent» fondation ISEL, Merebelke, Belgique.
«Prix des Arts 2007» Province du Brabant Wallon. Belgique
2006
«Femmes» Galerie Nok’in, Huy, Belgique.
«Bijoux d’Artistes en Communauté française » Foire de Munich, Munich,
Allemagne.
«Osons l’art appliqué » WCC-BF, Mons, Belgique.
«Tout le monde est à tout le monde » Galerie Juvénal, Huy, Belgique.
«Terre et soleil» Galerie Nok’in, Huy, Belgique.
«Mini-textile» Galerie X, Bratislava, Slovaquie.
«Artistes poue Amnesty» Iselp, Bruxelles, Belgique.
«Papier, création et métamorphose » La Terrasse de Gutemberg, Paris, France.
«Le bijou contemporain» Pôle bijou, Baccarat, France.
«Le retour d’Ibn Battouta » 4ème phase avec les enfants d’écoles populaires de Tanger, Maroc.
« Mini-textile» WCC-BF, Mons, Belgique.
Galerie Olyako, Wavre, Belgique.
2005
«Bijoux-Cailloux» Musée de l’Ourthe et de l’Amblève, Comblaint-au-Pont, Belgique.
Galerie »Artpéro» Crupet, Belgique.
«Chemin d’artistes» Glabais, Belgique.
«Triennale Européenne du Bijou Contemporain» Musée de l’Orfévrerie de la Communauté Française, Château de Seneffe, Seneffe, Belgique.
Galerie « Akcentus» Klub-Galerie, Budapest, Hongrie.
Galerie »Arts Parallèles», Tilff, Belgique
Atelier de Bijoux Contemporains, Maison Communautaire des femmes, » Darna, Tanger, Maroc.
Atelier , ferme pédagogique, «Darna» Tanger, Maroc.
«Le Bijou Contemporain » Centre Culturel, Ciney, Belgique.
«Mini-Textil» Galerie U , Prague, Tchéquie.
«30 années lumière» Galerie Cap d’Art, Genval, Belgique.
«Art Textile» Galerie des métiers d’art, Bruxelles, Belgique.
«Jata World Travel Fair 2005 » Tokyo, Japon.
«Design Fiesta», Tokyo, Japon.
«Ibn Battouta, c’est toi » Troisième phase de la fresque sur le voyage d’Ibn Battouta, réalisée par des enfants issus de l’émigration. Centre Culturel Arabe, Bruxelles, Belgique.
2004
Galerie»les Iles Flottantes» Dinant, Belgique
«Abstractions Colorées » Galerie Cap d’Art, Genval, Belgique.
ISELP, Institut Supérieur pour l’étude du langage plastique, Bruxelles, Belgique.
«Design en Wallonie » Liège, Belgique.
«Fascinating Paper » Galerie X, Bratislava, Slovaquie.
«Zone Franche » vagabond’Art, Parcours d’Artistes, Chaumont-Gistoux, Belgique.
«De Tanger à Chaumont » deuxième phase de la fresque sur le voyage d’Ibn Battouta avec les enfants de l’école «Le Chemin des Enfants» de Chaumont, Belgique.
2003
«Recycling» Contacto-Directo Galerie, Lisbonne, Portugal.
Cap d’Art Galerie, Genval, Belgique.
O galerie, Bruxelles, Belgique.
«Parures Créations » Galerie Néon, Bruxelles, Belgique.
Galerie Antinoé, Brest, France.
«20 ans International textile Art « Graz, Autriche.
Galerie X, Bratislava, Slovaquie.
Galerie Olyako, Wavre, Belgique.
«Reflets Contemporains » Centre Culturel, Dinant, Belgique
«Parires Créations » Madrid, Espagne.
«Kunsthanwerk aus der Wallonie » Mayence, Allemagne.
Galerie « Les Iles Flottantes » Dinant, Belgique.
«La Fabuleuse histoire d’Ibn Battouta » Fresque réalisée avec 240 enfants de Tanger, Maroc.
2002
Galerie Cap d’Art, lac de Genval, Belgique
Galerie Maya, Namur, Belgique
Château de Seneffe, musée de l’orfévrerie, Triennale Européenne du Bijou Contemporain, Belgique
Galerie Antinoé, Brest, France
Galerie Ars, Liège, Belgique
Galerie Néon, Bruxelles, Belgique
Centre Wallonie-Bruxelles, Parures-Création, Paris, France
Galerie Evasion, Waremme, Belgique
Galerie 0, Bruxelles, Belgique.
«3ème salon international d’Art Contemporain », Eupen, Belgique
Schmuck unter druck, Aarau, Suisse
Parcours de stylisme, 0 Galerie, Bruxelles, Belgique
Design, créateurs en wallonie » à table » Liège, Belgique
Parures-Créations, »Contacto-Directo » Galeria , Lisbonne, Portugal
«Olyako » Galerie, Wavre, Belgique
2001
Primavera del Disseny, Galerie Ignacio de Lassaletta, Barcelone, Espagne
Chemins d’Artistes Glabais, Belgique
Galerie Néon, Bruxelles, Belgique
Eghezée 2001, Belgique
Art Centre, Barcelone, Espagne
Musée des Arts Décoratifs et du design « Belgïe-Nederland »
«Juweelkunst 1945-2000» , Gent, Belgique
«Tendence », Internationale Frankfurter Messe, RFA
«Biennale du Bijou Contemporain de Nîmes », Nîmes, France
«Arté-Nîmes », Salon d’Art Contemporain, Nîmes, France
«Province de Namur », Tunis, Tunisie
«Vagabond’Art », parcours d’artistes à Chaumont-Gistoux, Belgique
«Linéart », Salon d’Art Contemporain, Gand, Belgique
Galerie Cap d’Art, lac de Genval, Belgique
Galerie C2H2, Dinant, Belgique.
2000
Art Exhibition Gallery, Eghezée, Belgique.
Lauréate « Design 21 » Chic Chinois, Palais de l’UNESCO, Paris, France.
Galerie 31, Lille, France.
Black & Kausel Galerie, Paris, France.
Galerie Evasion, Waremme, Belgique.
Galerie Antinoé, Brest, France.
«Tendence „ Frankfurt, Allemagne
Lauréate » Sonderschau Form 2000 « , Internationale Frankfurter Messe
Handwerskammer Galerie, Coblence, RFA.
«Chain Reaction », Aarau, Suisse
1999
Cercle St. Fiacre, Dorinne, Belgique.
Galerie Evasion, Waremme, Belgique.
Salon des Métiers d’Art, Coblence, Allemagne.
«Natura » , Château de Fernelmont, Belgique.
Galerie Antinoé , Brest, France.
Handwerskammer Galerie, Coblence, Allemagne.
Galerie Rive Gauche, Namur, Belgique.
Lauréate » Design 21 » Chic Chinois, UNESCO, Palais des Nationalités, Pékin, Chine.
«Néon en 2000 », Galerie Néon, Bruxelles, Belgique.
1998
«Craft Design for the Global Village», Florence, Italie.
Conférence Européenne des Métiers d’Art, Namur, Belgique.
Galeria X, Bratislava, Slovaquie.
4 ème Salon des Métiers d’Art de Wallonie, Domaine d’Hélécine, Belgique.
Galerie Evasion, Waremme, Belgique.
1997
«Arts au Village », Chemin d’Artistes, Glabais, Belgique.
Tôlgyfa Galeria , Budapest, Hongrie.
Julie Galerie , Madison Avenue, New-York, USA.
«Arts and Designs of the Continents», Handwerkskammer Rheinessen, Mainz, Allemagne.
1996
11 ème Biennale Internationale » Miniature Textile « , Szombathely, Hongrie.
2 ème Salon des Métiers d’Art de Wallonie , La Machine à Eau, Mons, Belgique.
«Petits Paquets » , Symposium International, Zsennye, Hongrie.
1995
«Bijou-Parure » , Ecole des Arts Décoratifs et Centre d’Arts Appliqués, Genève, Suisse.
«Bijou-Parur» , Musée des Arts Appliqués, Budapest, Hongrie.
«In ogen van Prin», Poperingue, Belgique.
11ème Symposium International» Textil Kunst», Graz, Autriche.
Symposium International Le Faï « , Le Saix (Veynes), France.
1994
«Bijou-Parure» , Maison de la Culture, Tournai, Belgique.
«Bijou-Parure» , Palais Abbatial , Saint-Hubert, Belgique.
«In ogen van Prins », Landcommanderij , Alden Biesen, Belgique.
Tata Museum , Tata, Hongrie.
«Le textile dans tout ses état »s , Eco-Musée , La Hamaide , Belgique.
«Bijou-Parure» , Médiathine, Bruxelles, Belgique.
1993
Tata Museum , Tata, Hongrie.
Fêtes de la Saint-Martin , Tourinnes-la-Grosse, Belgique.
Métiers d’Art du Brabant ,Bruxelles, Belgique.
«Bijou-Parure» ,Dommelhof , Neerpelt, Belgique.
1992
Tata Museum , Tata, Hongrie.
1989
Symposium International, Bukovina, Pologne.
Pariser Galerie , Berlin, Allemagne.
1987
International Symposium, Zakopane, Pologne.
Œuvres Acquises :
Musée Textile de Szombethaly, Hongrie
Collection permanente, Musée des Arts, Kobé, Japon
Province de Namur, Relations Publiques,Belgique
Landesmuseum, Zürich, Suisse
Province du Hainaut, Belgique
Collection Félix Antoine Savard, Québec, Canada
Collections privées
Awards :
Design 21 – UNESCO House ( 2001) Paris, France.
Design 21 – UNESCO, House of Nations ( 2000) Pekin, Chine.
Sonderchau Form 2000 – International Fair of Frankfurt « Tendence », Frankfurt, Allemagne.
Prix des Arts 2007 , Province du Brabant Wallon, sélectionnée. Belgique.
Rue Jules Larivière, 127 Landenne-sur-Meuse 5300 Belgium
Meisterwerke
MeisterwerkeMore Info
CREATORS OF FINE WOVEN ART
Our love of art and textiles requires that we create unique and bespoke objets de désir. Every limited piece that we have created is designed, woven and embroidered all while steeped in the grand tradition of Flemish artisanship and innovation. The time has come for slow living objects. We offer art and design that enhances every interior in a unique and artful way. The room dividers and panels from Meisterwerke will bring undisputed elegance and esteemed style to your personal interior, boutique or design hotel.
BELLEVUESTRAAT 30 LEDEBERG 9050 BELGIUM
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L”AFRIQUE c’est chique
Young Belgian designer and original cradle Diamond (Congo), Rina Njoli grew up in a cosmopolitan and creative environment. In 2006, she created a ready-to-wear line under the brand BAKWANI 7.
Facing the media success of this collection Rina decided to extend its range to his great passion: jewelery. In 2010, born BAKWANI 7 JEWELRY. His taste for the refined art, his passion for precious and origins lead Rina to create fine collections, timeless and precision of a goldsmith.
Working closely with the best workshops in Antwerp and Paris, it is distinguished in the world of jewelry, firstly by the selection of precious metals and diamonds maturely selected and the other hand by the assembly and crimping.
BAKWANI 7 JEWELRY presents the gris-gris high jewelry and invites you to discover the secrets and the nobility of Africa trhough 15 ancestrals symbols
Each symbol is a lucky “lucky charm” that conveys a universal message. Rose gold, black or white yellow, these symbols are adorned with diamonds and precious stones.
The jewelery becomes unique is animated and takes life thanks to bracelets silk cords, necklaces, rings or earrings on which each symbol is represented.
The designs are timeless, both lucky and luxury jewelry, BAKWANI 7 managed to make fun jewel. In addition to its permanent collection, BAKWANI 7 JEWELRY also can compose endlessly. Choose symbol, gemstone, color and finish that illuminate you the most and thus create an exclusive jewel.
Timelessly and chic, the jewels BAKWANI 7 JEWELRY tell a story and as worn as a complice. An exceptional gem for a single link.
Avenue du Brésil, 19 Brussels 1050 Belgium
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About
In 2018, we started Dew to shake the bag and accessory market up. Empowered by the people through crowdfunding, our original bag line set us apart by bringing you gear that perfectly blends outdoor performance with urban aesthetics.
We’re inspired by the city, the dare-devils, the innovators, the dreamers; and our creations embody this very spirit. They’re built for adventuring, for city dwelling, for showing off. Because let’s be real. In the end, you just want to stand out from the crowd.
Above all else, we create to live by our ultimate mission: to inspire you to live on your own terms.
Jonathan has several years of experience designing new physical and digital products for different brands. He is in charge for all things design and creative, with a keen eye for sleek aesthetics.
David’s experience as a commercial representative for different companies, David holds the responsibility of all the commercial aspects: from marketing all the way to one-on-one customer service.
Whenever you get in touch with us, you’ll be getting an answer directly from one of us!
Our design ethos.
The refined rebel, the urban driven nature lover and the stylish functionalist. We represent them all.
These 5 core values define the DNA of our brand and creations.
Urban inspired.
The city inspires us, with its movements, its architecture, its life. We fuse urban colors, lines and shapes into gear for the streets.
Standout from the crowd.
We include only the necessary, but make it look extraordinary. We make it our mission to only make creations that stand out from the crowd.
Reliability.
We want your gear to be safe. We only source for the right materials to get whatever job done. Let’s keep the elements away from your precious stuff.
Functional elegance.
We embrace technical features by making them part of the aesthetics. Some of Dew’s functionalities are visible, others are hidden. What you don’t see, is what you also get.
Style driven.
The Antwerp Fashion Academy influences our streets. It’s hard to not get inspired by the outfits that wander the alleys of Antwerp. We simply observe, extract, mix and create: we like to call it streetproof.
Verbondstraat 95 Antwerp 2000 Belgium
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Discovering the Belgian designer of Art’emi
Behind the Belgian brand art’emi hides a modern woman, ambitious and active in her everyday life. Listening to new trends, the brand’s founder and artistic creator, Artemi Vasilakis, is a graduate of the Brussels Academy of Arts, and the Institute of Gemmology in Antwerp (HRD). It is at HRD that she takes courses on the classification of diamonds, the gemology of colored stones, the sorting of rough and polished diamonds, the design and sale of jewelry…
She worked for several years in the world of jewellery and diamonds. In 2002, she decided to embark on the adventure and create her own jewelry brand, which she called art’emi.
His inspirations
Based in Brussels, Artémi Vasilakis is dedicated to creating his own lines of jewelry, in gold, silver, vermeil, semi-precious stones … evolving between contemporary creations and fine jewellery, inspired by nature and contemporary or timeless forms. His creations all respond to the same concerns of elegance and quality.
Artemi’s jewelry is not one that stays in a box out of sight. Indeed, they are jewels that live, just as the women who wear them live. By their finesse and sobriety, they undoubtedly have this little touch of timelessness.
Convinced that a jewel is a reflection of the personality of the wearer, Artémi is one of the pioneers in engraving in Belgium. That’s why, as early as 2003, it allows the customization of its jewelry, so that these look like you. It is undoubtedly his trademark that makes all the originality of his creations. In addition, all the engravings on offer are free and made according to a high know-how.His collaborations
Artemi is a creator above all, and also makes specific requests. Whether it’s silver jewelry and/or semi-precious stones, or gold jewelry and gemstones. Indeed, it applies each time to find the right balance between its creativity and the personality of the person who will wear the jewel.
In addition, another aspect of his career is working with major brands. Examples include Donaldson, Baton Rouge, Talking, French, Céline, Nathan, Wood Work, Jack and Rose… Again, she made sure to work with respect for the brand, but also with her image and personality.
Today, his creativity, his sense of listening and his professionalism are highly appreciated by professionals and his personal clientele.
367, Avenue Louise Brussels 1050 Belgium
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Being a jewel designer, Ann Strijbol has a realistic and contemporary sense of aesthetics. The name of the collection – Chapter 42 – refers to her age when she re-entered her academic past, during which she studied Metalwork and Jewel Design in Antwerp.
Besides her activities as jewel designer, she is also as a fashion stylist, which gives her a watchful eye for good aesthetics.
Ann gains her inspiration mainly from her feelings and she combines colours and materials in a subtle and tasteful way.
The creations of Ann Strijbol are often jewels composed of various parts, that can be worn separately or be part of another whole.
Some necklaces for example are composed of two or three different necklaces. Depending on the opportunity, outfit and state of mind the various parts can be added or omitted.
The Chapter 42 collections are mainly made of semiprecious stones, wood, glass pearls, bone, silver and coconut.
The colours are usually soft with here and there a brightly coloured stone as the exception that proves the rule.
Vlasmarkt 20 Antwerpen 2000 Belgium
calbART
calbARTMore Info
OUR STORY
Let me tell you my story, the story of a student who decided at the age of 24 to create a sustainable underwear brand for men. I studied business at a business school in Brussels and I have always felt involved in and inspired by business and sustainability. This is why I decided to create a brand of men’s underwear that is affordable, environmentally friendly and made in Europe. The CalbART project was a logical response to my wishes. Now we have become a family business, which makes the journey even more exciting.
Affordable?
The price of sustainable boxer shorts with inner support can be quite expensive. The CalbART brand therefore strives for high quality and sustainability at a lesser cost.
Eco-friendly?
Since we aim at building a better tomorrow, we adhere to slow fashion and responsible clothing. We have opted for 100% organic cotton, meaning that no toxic chemicals are used and as a plus, it avoids skin allergies and concerns. The CalbARTs are also presented with reusable fabric bags made out of fabric leftovers. While it is a sustainable packaging, it is also practical to use. Since our goal is being sustainable, our packaging is made of natural materials, which is fully biodegradable.
Made in Europe ?
The best production in Europe, located in Portugal, was the obvious choice for CalbART’s new collection. We consider it as the best producer for it’s know-how and for it’s use of organically produced fabrics.
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How it all started
KAAI was founded in 2017 in Antwerp, Belgium, by Ine Verhaert and Helga Meersmans who set out to reimagine the perfect work-life bag for the eclectic woman with exquisite style standards.
Before, the duo spent a lot of time travelling around the world. Rushing from one meeting to the next during their corporate careers. Their main companions: a laptop, a mobile phone, lots of paperwork, and women’s essentials, all stuffed into their handbags.
Desperately looking for a stylish bag to complement their active lifestyles, they knew they could do better. So they got a handle (pun intended) on their idea: creating a new bag concept for women on the go.
Capturing the ongoing energy of the city and the ever-moving water of Antwerp, KAAI (meaning ‘the quay’ in Dutch) symbolises the fluidity of modern women, going places.
By women, for women
We take inspiration from the lives and desires of successful modern women.
From in-depth interviews with active women, discussing their relationships with their bags we discovered that women are:
‣ irritated by the chaos in their fashionable but often impractical handbags,
‣ bored with the masculine looks of their workbags.
KAAI brings change by creating bags that are both functional and fashionable, feminine and fearless.
We empower women to follow their ambitions. On their terms —without compromises.
Sophisticated simplicity
Drawing inspiration from the colours and pure graphic lines of Art Deco, we reinterpret this era’s timeless allure into magically modern, minimalist handbags with forever appeal.
Both contemporary and utterly covetable, we design for a variety of occasions. From casual to formal, from day to night.
Nationalestraat 91 Antwerp 2000 Belgium
Galerie du Roi, 21 Brussels 1000 Belgium
