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Ria’s hand-made hats
As a trained sculptor, Ria searches out different and surprising shapes, creating unique hats in her own style.
Which hat to choose?
A hat will fit on any woman’s head, but not just any hat. For each hat, we talk through the design with you to find the perfect hat to make your personal beauty shine through. We also mold the edges to give it that perfect finish. A hat that makes you look beautiful, complements the wearer and not the other way around.
Materials
Hat-making is a profession, a true craft. Felt, Sisal, Wool, Yarn and other fabrics; each requiring a different kind of preparation process to be then crafted using different techniques. Ria’s fashion training together with many years experince give her a natural advantage.
The approach
A hat worn for a special occasion requires a rather different approach than one that would be worn on a daily basis. A common starting point is taking a piece of material from the dress to be worn, with which Ria can start to colour match. A colour can then be used in just a piece, or for the whole hat. The shape, colour and fabric should form one entity.
Accessories
For those who aren’t really looking for a hat, Ria also designs various kinds of headwear (Tiaras, Diadems etc.) which are of course a must at any wedding.
Winter-hats
Besides winter-hats, each year Ria designs a selection of matching hat and scarf sets. The shape of which is of significant importance.
Sluizeken 29 Gent 9000 Belgium
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ALICIAAUDREY is the name of the friendship between co-founders Audrey Joris and Alicia Meus.Their friendship started with a shared drive and a passion for styling and life.
Based in Belgium, ALICIAAUDREY creates a trans-seasonal outerwear wardrobe.
Combining a timeless perspective with bold and playful attitudes.
Delphine Quirin
Delphine QuirinMore Info
The trunks belonging to Delphine Quirin’s grandmother were veritable treasure chests when she was a child. The dresses, suits and costumes that they contained would later go on to provide the future designer with an important source of inspiration. And already as a child, hats stood out above everything else as a thing of wonder.
History of Art studies completed later in life at the University of Liège left Delphine with a real store of data and a clear preference for the talents of artists as diverse as Vermeer, De La Tour and Edward Hopper.
After training as a fashion designer, Delphine set up her own design business in 1996 and started creating her first hats – unique and tailor-made creations essentially to accompany formal dress. She then opened a shop in the historic centre of Liège and continued to create the framework for what would soon become not just a business but an expression of her personality. Being open to a wide range of influences, she soon discovered knitting and this then gradually become her preferred production technique. She really played a trump card in Paris in 1999 when she drew attention to a mini-collection of gloves and scarves – and of course hats – created out of mohair and boiled wool.
Delphine had found her niche! She was now creating regular collections, and presenting and selling them at large trade fairs in several European countries, as well as in the US and Japan.
By following her instincts and desires, Delphine has reached her goal. She has elevated the hat back to its rightful position of elegance, saving it from the stagnation of long-produced designs. She has made it a practical and light daily accessory that can be worn in all circumstances. Delphine’s hats are a subtle mix of colours and designs, reflecting our own contemporary mix of cultures and ideas. And although they do not follow ephemeral fashion trends, they are in tune with the world around them and each piece tells its own story
Delphine is proud of her Liège roots and refuses to use industrial production methods. Her hats are made using traditional techniques by a small team of knitters, embroiderers and seamstresses, enabling her to oversee all the production stages, and at the same time, to take meticulous care in order to ensure that all of her knits are perfectly finished.
26, rue Pierreuse Liège 4000 Belgium
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Ma première collection, je l’ai faite pour un marché de Noël à Jodoigne, le petit bourg où j’habite. Cette collection avait suscité de l’enthousiasme autour de moi, un vrai démarrage sur les chapeaux de roue !
Quand je repense à ces tout débuts, j’ai parfois la nostalgie d’une démarche très libre, instinctive, parfois bien téméraire face aux obstacles techniques.
Il s’agissait alors de chapeaux pour tous les jours, en polar, en velours, en lainages, même en tissu d’ameublement…
J’ai pu me sensibiliser aux formes et aux volumes et ainsi découvrir leur effet plus ou moins harmonieux
Très vite j’ai eu envie de créer un autre type de chapeau… Des chapeaux d’été et des chapeaux plus sophistiqués et originaux pour les mariages.
J’ai pu dénicher çà et là quelques moules à chapeau dans des brocantes… Utilisant « à défaut » seaux en plastique d’un diamètre correspondant à celui d’un tour de tête, plats en bois… Jusqu’au jour où j’ai eu l’opportunité d’acheter un lot entier de formes à chapeaux dans une maison de mode qui fermait…
Au fil des années, j’ai élargi la gamme de mes ressources… Passer du travail du para sisal, au tissu sisal, au visca, rami, buntal et bien sûr aussi découvrir le plaisir de « tirer des feutres » en hiver… De challenge en challenge, j’ai reculé mes limites techniques, consultant au besoin des modistes confirmées pour recevoir aide et conseil. C’est ainsi que j’ai appris la teinture, le travail du crin, de la toile élastique et de la sparterie, la maitrise des apprêts aussi…
Quand on me demande quel est mon style, j’ai souvent du mal à répondre… Oui j’ai mes goûts personnels et aussi ma patte, ma sensibilité. Néanmoins plus que mon style à mettre en avant, je me sens au service du style de ma cliente… C’est très moteur pour développer ma créativité de rencontrer les femmes qui porteront mes chapeaux… Tant de personnalités avec chacune, bien sûr, leurs palettes de couleur, morphologies de tête, de visage, de silhouettes. Créer chaque fois pour quelqu’un d’unique est un exercice permanent et donne un supplément d’âme à mon travail.
Dès mes débuts, j’ai travaillé avec un statut « d’indépendante complémentaire » compatible avec mon travail d’infirmière. Grâce à quelques expositions, j’ai eu mes premières clientes ensuite le bouche à oreille a fonctionné….
Ce dont je suis fière :
De la couverture du vogue américain, d’avoir été dans les coulisses par mes créations de certains grands mariages belges, de quelques expos-ventes à Paris (Carré rive gauche), mais par-dessus tout, ce dont je suis la plus fière ce sont tous les retours positifs de mes clientes qui me partagent par une photo, un petit mot, un coup de téléphone leur bonheur d’avoir porté une de mes créations…. C’est vraiment cette reconnaissance là qui dynamise mon travail !
Ce que je pense de l’avenir de ce métier.
Malgré la crise économique, je crois en l’avenir de notre métier. L’histoire de la mode témoigne qu’en temps de crise plus que n’importe quand, les créateurs sortent leur génie !
J’aime le slogan de la Grande Bretagne d’après guerre: « Go ahead, get a hat !». S’habiller avec recherche et fantaisie comme un acte de résistance aux difficultés et à la morosité ambiante !
Notre époque est intéressante dans la mutation qu’elle traverse… Nous sommes en occident inondés de textiles de fabrication asiatique….Une production qui n’est pas que « bas de gamme » mais qui est néanmoins marquée par la mondialisation et la production de masse. Dans ce contexte, l’article personnalisé, le « supplément d’âme » d’une pièce artisanale a de l’avenir ! J’ose croire que la crise économique va nous pousser à consommer moins et mieux…
En habillement, les accessoires ont de beaux jours devants eux….
De nouvelles attitudes se développent : telle la démarche de recyclage …et dans cette mouvance un concept qui m’est cher, le concept du « réchauffé ». Ce concept n’a rien à voir avec celui du « seconde main »….Dans le «seconde main », l’objet en passant de main à main perd de sa valeur… Le concept du réchauffé est tout autre chose… Il s’agit d’une réappropriation d’un vêtement pour en faire un autre … Ce processus donne une plus value créative à l’objet qui est revisité et réinvesti dans un cycle de vie…J’aimerais pouvoir développer ce concept plus particulièrement pour mes chapeaux d’hivers, une ligne « streetwear » poétique…
Rue de la Grande Montagne 5 Jodoigne 1370 Belgium
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MEET THE FOUNDER
WHO IS HIDING BEHIND THE PROJECT 1971?
This high-quality Belgian fashion brand was founded by current Creative Director Christelle Loozen.
With over twenty years’ experience as a freelance denim product developer for both national and international brands and designers, Christelle is now ready to take up her own challenge through her brand 1971, offering an exclusively-designed original, high-quality and ethical product, one that is as original as it is a ‘revival’.
‘I’m passionate about fashion and I always have been. Through 1971, I am offering clothes inspired by my childhood memories, my experience of motor sports, and my unconditional love for denim.
My clothes are designed to fit most people, providing a casual yet trendy touch. With my many years of experience, I have been able to source the best sustainable yarns and fabrics from across Europe.
I’ve made the decision to work with the same European suppliers I have already worked with over the last 15 years. We share the same goals and overall vision, leaving no room for compromise when it comes to product quality, environmental impact, and the provision of good working conditions for our employees.’
We choose only the finest materials and best factories to make our timeless products, with the hope that they will last you many years, even decades.
Our prices are calculated as precisely as possible, while our partners, from workers to stores, are paid the right amount, with each and every possible cent reinvested into the local economy of each country.
We believe in a fair economy that works for the everyday.
Gerard-Sart 1 Dalhem 4606 Belgium
Fabienne Delvigne
Fabienne DelvigneMore Info
Her Story
Since 1987
Fabienne Delvigne is a Belgian milliner and has specialized since 1987 in the design and manufacturing of Haute Couture hats, jewellery, headgear, handbags and other fashion accessories. After studying Marketing, she launched her own company and became an iconic designer in Belgian fashion.
The elegant headwear that Fabienne Delvigne has created since the late 80’s has secured the Belgian milliner’s position as the go-to designer for members of the Royal Families of Belgium, The Netherlands, Grand-Duchy of Luxembourg and Sweden.
Her know-how has been rewarded since 2001, when she was initially awarded the official patent of « Belgian Royal Warrant Holder ». Fabienne Delvigne’s sophisticated and timelessly chic millinery has won her wide acclaim and this title was followed by the appointment of Fabienne Delvigne as a member of the Chamber of High Commerce « Brussels Exclusive Labels » in 2004. The same year, Fabienne Delvigne participated in the « 5 femmes de goût » catwalk show and conference at the Royal Evian alongside Chantal Thomass, Pascale Mussart (Hermès) and Anne-Sophie Pic (starred Chef).
In 2013, for the inauguration of H.R.H. King Philippe I, his wife Queen Mathilde wears the « Envolée » hat made of abaca fibre and silk. The trim of this hat symbolizes two wings that the designer imagined to symbolize the takeoff of Belgium under the reign of the new royal couple. Shortly after his nomination, H.R.H. King Philippe, like his father King Albert II had done in 2001, granted Fabienne Delvigne the title of Supplier to the Court of Belgium, perpetuating her position as a provider to the Belgian royal family.
Fabienne Delvigne collaborates with other fashion houses such as Giorgio Armani, Chanel, Dior or Natan. In 2007, she created a hat for the Van Cleef & Arpels catalogue.
Very imaginative, she likes to collaborate with other talents to express her know-how in new and original ways, but always with refinement.
In 2014, for example, she was asked by the Carrières du Hainaut to design their new booth at the Biennale de Courtrai (a design and decoration fair).
Two years later, her talent was once again asked to create hats for Maison Guerlain launching their new perfume « Intense » for the « La Petite Robe Noire » collection.
She has also made crystal or chocolate hats and, more recently, she collaborated with BMW and created two hats for the launch of the new i8 Roadster.
Reasonably eccentric with a touch of originality, her fashion accessories are aimed to make woman look more beautiful and attractive. Her style is definitely feminine, aerial and innovative.
In 2008, the Studio Collection offering hats for everyday wear was launched, it is also available for gentlemen. Today, these collections can be purchased through her e-shop launched in 2018.
On the occasion of the 30th anniversary of la Maison, Fabienne Delvigne retraces her extraordinary career as a Belgian entrepreneur, hat designer and holder of high luxury craftswoman. Her book “Sublimer par la différence” is prefaced by Stéphane Bern and Diane von Furstenberg.
In the year 2021, the Caring Hat project was born. This line of hats, turbans and caps is designed for people suffering from alopecia (hair loss) as a result of cancer treatment or a serious illness.
Fabienne Delvigne’s hats and accessories are designed and handmade in her designer’s studio in Brussels.
Fabienne Delvigne Portrait Red Hat
The designer regularly holds conferences on the magic of her craft as a designer and on the « Art of Elegance ». These conferences can be held in her workshop where you will be able to discover Fabienne Delvigne’s universe during a privileged visit in an exclusive and unique setting.
rue André Fauchille, 8 Brussels 1150 Belgium
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Nederlands
Wie zijn we?
Bel&Bo is een Belgisch familiebedrijf met meer dan 90 winkelpunten verspreid over heel België.
Onze kledingketen staat voor een complete collectie kledij en accessoires, voor de volledige familie en voor iedere stijl.
Kleur primeert in onze filosofie
De Bel&Bo collecties zijn altijd kleurrijk, met een grote keuze aan tinten en nuances, zodat ieder persoon het model en kleur vindt die haar of hem past.
Dankzij wekelijkse leveringen hangen er bij ieder bezoek nieuwe artikelen, bovendien is er om de 14 dagen een volledig nieuw kleuraccent in de winkel.
Aangenaam winkelen
Winkelen bij Bel&Bo is in een aangename sfeer een outfit samenstellen, uit de laatste trends en zonder twijfel. Het is de garantie voor een optimale kwaliteit aan de laagste prijzen. Wij combineren goed humeur met een hartelijk verkoopsteam en persoonlijke, aangename winkels.
Advies bij uw aankoop
Onze verkoopsters zijn speciaal opgeleid in stijl- en kleuradvies om jou te helpen kiezen en combineren. De gepaste outfit en kleur doen wonderen!
Kwaliteitscontrole
We hechten heel wat belang aan de kwaliteit van onze producten, want Bel&Bo staat garant voor kwalitatieve kledij aan een voordelige prijs.
Eerlijk en duurzaam ondernemen
Bel&Bo neemt ook haar verantwoordelijkheid voor mens en milieu, eerlijke handel is de norm.
BeCommerce
Bel&Bo is lid van BeCommerce, de Belgische Vereninging van de bedrijven die actief zijn in de online verkoop. De website van Bel&Bo is gebonden met de gedragscode van het BeCommerce kwaliteitslabel.
FRANCAIS
A propos de nous
Qui sommes-nous?
Bel&Bo est une entreprise familiale belge implantée dans plus de 90 points de vente en Belgique.
Nous proposons une collection de vêtements et d’accessoires pour toute la famille et pour tous les styles.
Une enseigne colorée
Les collections Bel&Bo sont toujours colorées, avec un large choix de teintes et de nuances, afin que chacun trouve le modèle et la couleur qui lui va.
Tous les quinze jours, une nouvelle teinte fait son apparition dans les magasins. Une bonne raison d’aller régulièrement y jeter un œil!
Un shopping agréable
Faire ses achats chez Bel&Bo, c’est s’amuser à composer des tenues, sans hésitation et selon les dernières tendances. C’est une garantie pour une qualité optimale aux pris les plus bas. Nous vous accueillons avec bonne humeur grâce à nos équipes de vente, dans nos magasins agréables et chaleureux.
Conseils lors de vos achats
Nos vendeuses ont suivi une formation en conseil couleurs et style afin de vous aider à choisir et à combiner vos tenues. La tenue adéquate et les couleurs en mettent plein la vue !
Contrôle qualité
Nous attachons beaucoup d’importance à la qualité de nos produits, car Bel&Bo s’engage pour des vêtements de qualité à prix abordable.
Entreprise durable et équitable
Bel&Bo se sent responsable pour l’humanité et l’environnement, le commerce équitable est la norme
BeCommerce
Bel&Bo est membre de BeCommerce, l’association belge des entreprises actives dans le domaine du e-commerce. Le site de Bel&Bo est donc soumis au code de conduite du Label de Qualité BeCommerce.
Theo Nuyttenslaan 5 Deerlijk 8540 Belgium
Anke Tacq
Anke TacqSint-Hadrianusstraat 29 Wijgmaal 3018 Belgium
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THE STORY
A Belgian twist on atypical fashion
You’re the woman who knows what she wants. Big dreams don’t scare you. In fact, they push you to be bolder. You know what makes you you and are not afraid to show it. At Awardt, we encourage you with the right accessories. As a Belgian female-powered brand, we’ll make sure you have the right, atypical bag, hat or scarf to match your unique soul.
Atelier Zennegatvaart 17 Mechelen 2800 Belgium
Shop Adegemstraat 3 Mechelen 2800 Belgium
Kristof Buntinx
Kristof BuntinxMore Info
Brussels designer Kristof Buntinx has already created a furore with his God Save the Queens shirts and gained international fame with a boxer short collection with which he targeted Russian anti-gay laws.
Protest and irony are therefore no strangers to Buntinx, but he also dresses Belgian celebrities in little bespoke gems just as much as he has children photographed as superstars. The exiled Sint-Truiden native has been working under his own label for more than a decade. An official introduction is called for!
Kristof Buntinx was born on 10 September 1975 in the Limburg town of Sint-Truiden. He quickly showed an interest in fashion and design and proceeded to draw from a model and attended sewing and pattern design classes. Buntinx completed internships with several major fashion labels such as Levis jeans and the Amsterdam fashion duo Viktor & Rolf.
His own image language
After his initial designs for the Cinderella Shop in Antwerp he sank his teeth into (and left his fingerprints on) a series of coffee mugs for Godiva. Soon Buntinx would tackle hats, a trick he was able to repeat in 2012 for Royal Ascot.
Shortly thereafter, the Pain clothing line followed, with its own photo series in collaboration with Stijn Vanorbeek. Still inspired by the world of image creation, Buntinx worked with filmmaker Ilke De Vries, this time to explore moving images. The film Vision was the result, in which the designer searched his own conscience by referring to a personal crisis.
Artist’s blood
Between 2008 and 2010 Buntinx focused on hats and a full line of accessories.
Triggered by his own life and personal developments, language associations and puns took up an increasingly important place in his work. Like any true-blue artist, Buntinx also creates from an inner drive. “I have always been crazy about fashion, but designing also proved to be beneficial for my mental health. It is my “therapy with a capital T,” the designer states.
Once Buntinx found his way, an increasing number of opportunities came up: in 2011 the Toga 125 Fashion Awards and a fashion show in which his design Ceci n’est pas un Advocaat shone. That same year Modo Brussels, the MIAT in Ghent and Hong Kong Design week also followed. A prominent fashion watcher from the UK even called Buntinx the most eccentric fashion designer of the Modo Brussels event.
The future is now!
Loved by the international fashion blog scene, Kristof Buntinx does not shun controversy. For example, he came up with a series of socially committed designs such as his answer to the Antwerp rainbow controversy, the God Save the Queens T-shirt’, his Russian boxer shorts, which even reached the American media and the crown jewels for King Philip.
During the last festive period Buntinx surprised friend and foe with a range of crisis jewellery, which questions material luxury. The Christmas dresses designed by Buntinx for Dana Winners’ Christmas tour and for Marlène de Wouters, the presenter at the Queen Elisabeth competition earlier in 2013, were, on the other hand, downright luxurious.
Kristof Buntinx certainly aims to let his designs speak for themselves in 2015.
Stay tuned!