Marie-Laurence Stévigny is a belgian fashion designer graduated from Chambre Syndicale de la Haute Couture Parisienne in Paris in 1990 and from Institut Bischoffsheim in Bruxelles in 1989. She also studied shoe design at Afpic school in Paris and followed courses at Central Sint Martins college of art and design in London. She gain international experience from years of creative collaboration at Nina Ricci design studio in Paris where she created accessories collections from 1990 until 1998 and in London with British designer Bill Amberg as senior accessoires designer in charge of accessories collection for men women and children. In 2004 she formed her own international design studio MLSTUDIO based in Brussels, with offices in Brussels and in Paris. MLSTUDIO services a diverse and global set of clients within the luxury fashion and lifestyle business. The Studio is focused on the design principle of: ‘creating accessories which are inherently more than just accessories’. In 2010 Marie and MLSTUDIO win a gold fashion awards in Los Angeles for the IDA competition (International design awards ) with the 2010 Agnelle gloves collection. In January 2015 after more than ten years of creative collaborations MLStudio starts a new chapter in its business with the coordinated bags and gloves collection branded under Marie-Laurence Stévigny by Agnelle.
In September 2015 at Maisons de Mode, Marie-Laurence Stévigny win the accessories price from Who’s Next/Première Classe with Marie-Laurence Stévigny by Agnelle collection also received an “guest” space within Première Classe Paris fair in March 2016.

DIDDA

Being a ‘touche à tout’ with a theoretical background in art history & anthropology, and a bottom-up one in i.a. jewelry-design, sculpture, maroquinerie, I found myself playing around with leather way too long… So, that’s when DIDDA came up.

DIDDA was born out of a passion for craftsmanship and the desire to make durable goods with personality. Is it possible to merge beauty, functionality and sustainability?

For me, there’s nothing more challenging and rewarding than building a solid companion – to care and carry – out of a skin with my bare hands. And also, I admit, just for the smell of it…

I love building functional goods; playing with dualities; line vs volume, format and function, contrast in materials and texture, concept vs detail, directness and confusion, always searching for that certain tension.

PRODUCTION

All my leather goods are unique and handmade in my modernist rooftop-atelier in Laken – Belgium.
DIDDA proposes a main ‘solid’ collection and a more volatile one; a series of unique one-shots
made in the mood of the day. Your order can be personalized (length, left/right wear etc.) or completely tailor-made. Don’t hesitate to contact me for quotes and special requests.

All DIDDA goods are made of locally sourced skins. The leather is – depending on the design – either veg-tan, up-cycled or production residue from meat-production.
For me (an this is a vegetarian speaking…), no other material can yet replace the touch, feel and quality of leather (although we keep a wide eye open on upcoming alternatives). This very emotive and ancient material used by man – to carry and protect – remains for me a very ecological choice. It is a leftover natural material, ages nicely and with good care, a high quality leather DIDDA-bag will last at least a lifetime.

MATERIALS

*Vegtan leather:

Vegtan or vegetable tanned leather is tanned with natural materials like tree bark. Less than 10% of the world’s leather is tanned this way today. Vegtan is a thicker and stronger leather, so the designs don’t need lining, which makes the bags lighter. Vegtan has that gorgeous leather smell, tends to age better and develops a rich patina over time. This eco-friendly product is the ideal material to most of the ‘neat’ DIDDA designs. Color-options are smaller (mostly black/nude and cognac). The leather is sourced at a Belgian tannery.

*Standard full-grain leather

This leather is generally rather smooth and comes in a wide variety of colors, textures and finishing. All the skins used by DIDDA come from European tanneries (meeting the highest standards) and are

a leftover product from meat-industry. Always keep in mind that leather is a natural product that once had a life, so every skin will

have his story and tiny imperfections, which adds up to the charm and patina.

*Lining

I prefer to work with 100 % leather lining, mostly pigskin. It makes the bag slightly more heavy but it’s much stronger & more consistent in design.

*Zippers

5mm or 7mm metal zippers of superior quality by Belgian Zip Factory KROKO (zip manufacturer since 1944).

*Rope / sling

I mainly use 10 or 11mm round non-stretch/static polyamide cord of superior quality (used by sailors & mountaineers). This material – supplied by the ‘maisons’ corderie Smits-Henin and Corderie Barrois, can bear extreme (weather) conditions and will probably last forever.

When the design includes flat slings; those are made of 100% leather, sometimes doubled with flat polypropylene belts of superior quality provided by corderie Smits-Henin. These add up to the strength and anti-stretch of the slings.